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ALBUM REVIEWS

Ikarus: Mosaismic

Read "Mosaismic" reviewed by Mike Jurkovic

Like morse code lapping against the rampant stream of everything binary, the minimal groove of Germany's Ikarus—which is drummer Ramon Oliveras, pianist Lucca Fries double bassist Moritz Meyer and the wordless, gravity-free scat singing of Andreas Lareida and Anna Hirsch—makes for an edgy, compelling atmosphere. Economic to the point of sparseness, Ikarus, like its Ronin Rhythm Records label mate and co-producer Nik Bartsch, is obsessed with trickier-the-better time changes, colliding counterpoints and evocative duets of insistent pulse.

MULTIPLE REVIEWS

Voices Without Words

Read "Voices Without Words" reviewed by Geno Thackara

It's all too easy to forget the voice as an instrument in itself--arguably the most expressive one we have, especially if these examples are any indication. Here we have two offerings to remind us what mind-bending possibilities it can offer. Ikarus Mosaismic Ronin Rhythm Records 2019 A good architect can build a framework solid and sturdy enough to handle whatever burden it needs to. A truly artistic one can add any shapes ...

ALBUM REVIEWS

Ikarus: Chronosome

Read "Chronosome" reviewed by Budd Kopman

Drummer Ramón Oliveras is the composer and leader of Ikarus and Chronosome is this band's second release, after the powerful and stunning Echo . There is no sophomore jinx here, as this recording starts off where the earlier one begins only to fly higher and delve deeper while still creating immense physical soundspaces. The album was produced by Nik Bartsch and Oliveras, and the music of Ikarus, as stated before, does fall within somewhere within the genre defined ...

ALBUM REVIEWS

Ikarus: Echo

Read "Echo" reviewed by Budd Kopman

Music has the extraordinary power to alter time and space for its duration, as well as being used to arouse emotions. The terms “abstract" and “concrete" are often used to describe particular music in a way that is widely understood, and yet the actual definitions remain elusive. Echo, from the band Ikarus, contains music which is extremely powerful, shocking, eerie and, in the end, beautiful. Composer and drummer Ramón Oliveras, is joined by two vocalists, Stefanie Suhner and ...

EXTENDED ANALYSIS

Ikarus: Through birds, through fire, but not through glass

Read "Ikarus: Through birds, through fire, but not through glass" reviewed by Geannine Reid

Film music without a film is the theme for the Swiss quintet calling themselves Ikarus. Their debut EP is entitled Through birds, through fire, but not through glass, named after Yves Tanguy's painting. In Tanguy's surreal otherworldly landscape, with an ultra- realistic depiction of the unreal by employing a deliberate, precise method of painting, the painter evokes a scene from a dream state to compel the viewer to search for a deeper meaning or truth in the artwork and furthermore, ...

ALBUM REVIEWS

Ikarus: Through birds, through fire, but not through glass

Read "Through birds, through fire, but not through glass" reviewed by Eyal Hareuveni

The evocative title of the debut EP of the Swiss quintet Ikarus is inspired by a painting of French surrealist painter Yves Tanguy. This trio, as the painter, attempts to create a surreal, cinematic tapestry of dreamy images and reality with its music, its presentation on stage--with the light design and the musicians tailor- made clothes--and its packaging. The four songs, penned by drummer Ramón Oliveras, emphasize the highly personal cabaret- operatic phrasing of vocalists Stefanie ...


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