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Jazz Articles about Rob Piltch

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Album Review

Don Thompson / Rob Piltch: Bells... Now and Then

Read "Bells... Now and Then" reviewed by Dave Linn


Don Thompson and Rob Piltch have taken different paths in their musical careers. Thompson was a triple threat (piano, bass, vibraphone) on the Toronto studio and club scene during the late 1960s, later becoming the bassist in Rob McConnell and the Boss Brass. He began touring with Jim Hall in 1974, later appearing on the guitarist's album, Live! (Horizon, 1975) recorded at Toronto's Bourbon Street jazz club. That same year he played with the Paul Desmond Quartet (with Ed Bickert ...

5
Album Review

Don Thompson & Rob Piltch: Bells... Now and Then

Read "Bells... Now and Then" reviewed by Pierre Giroux


Multi-instrumentalist Don Thompson and guitarist Rob Piltch are two Canadian musicians who, in 1981 and 1982, recorded an album entitled Bells for the Umbrella label. The material has been remastered and reissued as Bells...Now and Then, bookended by two new recordings of compositions by Thompson. Don Thompson has been a highly-regarded part of the Toronto and Canadian jazz scene since the late 1960s, playing bass in an early iteration of Rob McConnell's Boss Brass, touring with ...

Album Review

Lara Solnicki: The One And The Other

Read "The One And The Other" reviewed by Alberto Bazzurro


Questo è il terzo album, dopo Whose Shadow?, del 2014, e A Meadow in December del 2011, a nome della cantante canadese (di Toronto) Lara Solnicki, presenza tutto sommato piuttosto anomala nel variegato panorama delle jazz singers per svariati motivi, che cerchiamo di sintetizzare. Anzitutto lei canta e dice (si definisce cantante-compositrice-poetessa), ma non su un terreno contemporaneo-aleatorio-concreto, come si potrebbe immaginare, bensì lungo brani perfettamente predefiniti, per attraversare i quali si affida alle cure di gruppi numerosi (ieri un ...

3
Album Review

Lara Solnicki: The One And The Other

Read "The One And The Other" reviewed by Jerome Wilson


Lara Solnicki is a Canadian poet, composer and singer who combines all her talents strikingly on this album, marrying her words to a dense fabric of free-flowing jazz and improvisation. Solnicki bends her voice well to the requirements of each composition. On the singsong rhythm of “The Embrace," she sounds sensitive but slightly detached against falling piano and electronic whispers, while, on the cinematic construction of “Bit Her Sweet Christopher Street," her voice climbs through a busy tangle ...

3
Album Review

Lara Solnicki: The One And The Other

Read "The One And The Other" reviewed by C. Michael Bailey


Among feelings are nervousness and anxiety. While synonymous in any thesaurus, the two words differ in the same way that thankfulness and gratitude differ, that is, in focus. Nervousness and thankfulness often have no focus, no definite object creating them. Anxiety and gratitude are those feelings, those reactions to the specific. Something clearly gives rise to them. With regards to anxiety and disquiet, Canadian vocalist and composer Lara Solnicki uses “free jazz" and poetry as the stimulus for generating a ...


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