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Jazz Articles about Tobias Wiklund
Fredrik Nordström: Big Band Stories
by Mark Corroto
To describe this record as an intimate big band recording is not to state an oxymoron. Saxophonist, composer and arranger Fredrik Nordström has taken this large-scale format (17 musicians) and made a very personal statement. Big Band Stories is a bit of a departure for the Swedish saxophonist best known for his work in quintet, octet and his Dolores Quartet which released Dolores: One (2021) and Dolores: Two (2021) on his own Bluenord Record label. Nordström did produce ...
read moreToldam / Riedel / Berg / Wiklund / Christensen: Tak for dit brev
by Troy Dostert
Danish pianist Simon Toldam has made his mark as an abundantly creative improviser, most recently manifest on his work with Ways--a duo comprised of saxophonist Brodie West and drummer Evan Cartwright. Their Fortunes (Lorna Records, 2020) was an album defined by unusual gestures and subtle refractions, keeping the listener guessing throughout. Toldam's latest release, Tak for dit brev (the title translates as Thank You For Your Letter") isn't as overtly adventurous, but it still possesses plenty of quiet charm, and ...
read moreToldam, Riedel, Berg, Wiklund, Christensen: Tak for dit brev
by Alberto Bazzurro
Quarantadue anni, danese, il pianista (qui anche occasionalmente clarinettista) Simon Toldam dirige in questo ragguardevole album un quintetto dalla struttura eminentemente cameristica che non può non rimandare a più o meno remoti lavori di Jimmy Giuffre e di un certo cenacolo (Shorty Rogers, Shelly Manne, Ralph Peña, Buddy Collette, Bud Shank, ecc.) che a partire dalla metà degli anni Cinquanta ci hanno offerto una visione del jazz, già post-bop e di fatto anche post-cool, ammalata" di Europa, di toni più ...
read moreTobias Wiklund: Where the Spirits Eat
by Jakob Baekgaard
Who is the man behind the beard? This is the question one could be tempted to ask when seeing the cover of the young Swedish-born cornetist Tobias Wiklund's album, Where the Spirits Eat. The eyes of the horn-player are hidden, but if the saying goes that the eyes are the windows to the soul, there's no need to look any further. The music itself has plenty of soul. Wiklund might be young, but his swinging feeling goes back ...
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