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Peter Brötzmann: I Surrender Dear

Read "I Surrender Dear" reviewed by Mark Corroto

You can forgive yourself if you get the feeling that you're a bit of a voyeur while listening to I Surrender Dear, the solo recording by saxophonist Peter Brötzmann. This sense of eavesdropping is due to the intimate sounds and the great man's choice of music. This intimacy is not something you generally associate with Brötzmann's music. Typically, one has to stand clear of the blast radius of his performance, but there is something redolent of the past about this ...

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Peter Brötzmann / Heather Leigh: Ears Are Filled With Wonder

Read "Ears Are Filled With Wonder" reviewed by John Sharpe

Iconoclastic German reedman Peter Brötzmann has appeared in almost every conceivable combination and circumstance over the years, from the maelstrom of Last Exit to the austere horn choir of Sonore, via hook ups with almost everyone in between, counting such free jazz luminaries as Cecil Taylor, Anthony Braxton and Evan Parker. However on Ears Are Filled With Wonder, recorded during the German's residency in Krakow during November 2015, he finds an unlikely accomplice in Glasgow-based American pedal steel guitarist Heather ...

ALBUM REVIEWS

Peter Brötzmann/Full Blast: Risc

Read "Risc" reviewed by Mark Corroto

The Full Blast trio of saxophonist Peter Brötzmann, Marino Pliakas, and Michael Wertmüller get an injection of fervency with the electronics of Gerd Rische. As if they needed any more ferocity. Risc is the fifth official release by the trio, and follows the ambitious Sketches And Ballads (Trost, 2011). Like Brötzmann's Last Exit recordings of the 1980s, Full Blast is a return to an electric interface between the great man and his cohorts. Here, the electric bass of ...

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Peter Brötzmann: Münster Bern

Read "Münster Bern" reviewed by Mark Corroto

One indisputable fact, there cannot be enough Peter Brötzmann solo recordings in this world. Okay, for those that might disagree, there are a few choice solo Brötzmann sessions that are a must. Count Münster Bern in that category. The saxophonist, a leader of the 1960s European free jazz movement and a Fluxus artist had released several solo studio sessions fifteen and twenty years ago. It has only been recently that he has allowed live dates to filter out. Prior to ...

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Peter Brotzmann/Joe McPhee/Kent Kessler/Michael Zerang: Tales Out Of Time

Read "Tales Out Of Time" reviewed by Mark Corroto

It is rare, in this new century, for us to look back at the significant recordings of living artists. The powers that be seem to always be pushing out new product to support a tour and get media attention. Then of course, once the artist has passed on, let the reissue series begin. Thank God for labels like Hatology and their commitment to keeping the music alive. This recording by Peter Brötzmann and Joe McPhee with bassist Kent ...

BOOK REVIEWS

We Thought We Could Change The World

Read "We Thought We Could Change The World" reviewed by Sammy Stein

We Thought We Could Change The World Gerard Rouy 189 PagesISBN: # 978-3-95593-047-9 Wolke Verlag Hofheim 2014 There are many worthy books on jazz, its history and growth, that provide insight into how the art form has influenced other genres and developed in different locations. This effort is a worthy addition. In this personal and enlightening book Peter Brotzmann is in conversation with Gerard Rouy. Rouy is a French journalist ...

ALBUM REVIEWS

Peter Brotzmann/Sonny Sharrock: WHATTHEFUCKDOYOUWANT

Read "WHATTHEFUCKDOYOUWANT" reviewed by Sammy Stein

This album is a release of archived material, recorded live in Luxembourg in 1987. Peter Brotzmann has been delving into his archives a lot lately and this release is one of the gems he found. Now on the Venetian label TROST, this collaboration between Brotzmann and guitarist Sonny Sharrock is widely available. Sharrock died in 1994 and jazz lost one ot its great musicians--he had played with Miles Davis, Pharoah Sanders and others during the 1960s before fading from the ...


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