Home » Jazz Articles » Matt Gold
Jazz Articles about Matt Gold
Maddie Vogler: While We Have Time
by Jack Bowers
Regardless of one's opinion of the music (from this vantage point, quite favorable), it is always a pleasure to welcome a jazz group led by a woman whose talents reach beyond voice or piano. Maddie Vogler, who presides over an admirable sextet on While We Have Time (and wrote all the music therein), plays alto saxophone, and does so about as well as any of her peers, male or female. When she is not gigging or recording, ...
read moreMaddie Vogler: While We Have Time
by Dan McClenaghan
In the introduction to alto saxophonist Maddie Vogler's debut recording, While We Have Time, are two striking images. The first is the cover shot, a pair of venerable unmatched hands, depicting those of the artist's immigrant grandmothers, beautifully and simply adorned. The second image is the inside photo of a vibrant young woman, an alto saxophone cradled in her hands. Maddie Vogler. Unusually for a debut, it is a set of all originals, but Vogler is up to ...
read moreBonzo Squad: Pachyderm
by Kyle Simpler
The Chicago-based quartet Bonzo Squad describes their music as “comfort in chaos." While this description might give an impression of free-form experimentation, it is not the case. The chaos aspect of their sound comes from a unique mixture of structure and improvisation, and for these guys, the comfort definitely outweighs the chaos. With Pachyderm, the group offers a perfect example of this description put into practice. Comfort implies an association with a memory, as is the case with ...
read moreMakaya McCraven: Deciphering the Message
by Angelo Leonardi
Il debutto in casa Blue Note di Makaya McCraven è un omaggio alla storia musicale dell'etichetta, espresso ovviamente in prospettiva personale. Come ha fatto nei suoi dischi recenti—e in particolare nell'omaggio a Gil Scott-Heron (We're New Again, XL Recordings 2020)-il batterista e produttore di Chicago usa creativamente la tecnologia sperimentata dai DJ e produttori di hip-hop e club culture, in prospettiva nuova. Il classico repertorio Blue Note degli anni cinquanta e sessanta suscita l'attenzione delle subculture giovanili ...
read moreDaniel Thatcher: Waterwheel
by Dan McClenaghan
The two electric guitars, bass and drums ensembles played a big part in shaping popular music. The early 1960s saw the Beatles walk this road. The Rolling Stones rolled that way, too. And prior to that British Invasion, we had the “instrumental rock sound” of groups like The Chantays in 1964 with “Pipeline," The Surfaris, Dick Dale and the Del-Tones, and The Ventures, all groups that fit into the surf rock genre. From there we can go back to Link ...
read moreMatt Gold: A Guitarist in Songwriter's Disguise
by Friedrich Kunzmann
Combining improvisational concepts with Americana aesthetics is one thing, but enveloping this blend in a songwriter approach is another story entirely. The first concept is common practice these days, the second however represents the unique character which the up and coming jny: Chicago-based guitarist Matt Gold has to offer on his compelling debut effort, Imagined Sky (Whirlwind Recordings, 2020). Midwestern soundscapes meet art rock sensibilities featuring twangy guitar lines and a light acoustic touch on an album that doesn't shy ...
read moreTony Barba: Blood Moon
by Friedrich Kunzmann
Madison-based saxophonist Tony Barba is a sonic chameleon, able to wrap catchy melodic themes around a variety of different genres. His ear for melodies is on full display on his newest outing for the Midwestern label Shifting Paradigm Records. In interplay with Chicagoan guitarist Matt Gold and the Madison-based rhythm section of John Christensen on bass and Devin Drobka on drums, Blood Moon sees Barba drawing from reggae as much as from pop and country, together interpreted with jazzy sensibilities ...
read more
Giveaway
Days remaining: 6
