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ALBUM REVIEW

David Binney: The Time Verses

Read "The Time Verses" reviewed by Geannine Reid

Acclaimed as a significant and extremely unique compositional talent, saxophonist David Binney is one of the most prolific jazz musicians on the scene today. Binney has created an alternative jazz scene that focuses on playing adventurous and original music, which has been key to his journey as a player. He possesses a distinctive saxophone sound and has an extensive catalog as a leader, in addition to being sought after as a sideman, appearing on record with: Medeski, Martin & Wood, ...

LIVE REVIEW

Brilliant Corners 2017

Read "Brilliant Corners 2017" reviewed by Ian Patterson

Brilliant Corners 2017 Various Venues jny:Belfast, N. Ireland March 7-11, 2017 In just five years, Brilliant Corners--Belfast's only jazz festival--has earned a reputation for adventurous programing. The 2017 edition went one further, with the inclusion of alt rock and electronic music stretching the boundaries of what constitutes a jazz festival these days. Or perhaps not, for as jazz celebrates its first centenary it's practically the norm throughout Europe--and elsewhere--that other styles of ...

ALBUM REVIEW

David Binney: Anacapa

Read "Anacapa" reviewed by John Kelman

Some artists move forward in great leaps and bounds, while others evolve more slowly, over longer periods of time. David Binney is one of those rare musicians who manage to do both. While a sampling of some of his recent albums, such as Bastion of Sanity (2005), Cities and Desire (2006) and Aliso (2010l, all on Criss Cross) paint a picture of the saxophonist as evolutionary, others, like 2009's Third Occasion and 2011's Graylen Epicenter (both on Binney's Mythology Records ...

ALBUM REVIEW

David Binney: Anacapa

Read "Anacapa" reviewed by Andrew Luhn

Listeners who have followed alto saxophonist David Binney's extensive discography know that rock is an intrinsic ingredient of his music. While the rock influence is almost always present, Binney's regular releases and appearances on Criss Cross Records have usually remained rooted in acoustic jazz. On Anacapa, Binney takes Criss Cross Records in a much more electric direction than the label has ventured before. With a total of ten musicians credited with contributing to the music, Anacapa ranks ...

EXTENDED ANALYSIS

David Binney: Lifted Land

Read "David Binney: Lifted Land" reviewed by John Kelman

In a career that seems to go from strength to strength and milestone to milestone, it's hard to imagine how David Binney manages to not only release one terrific record after another, but to do so, in some cases, under some pretty constricting terms. Like the five other albums that the influential saxophonist/composer has recorded as a leader or co-leader for the Dutch Criss Cross label--most recently 2010's Aliso and the following year's Barefooted Town--producer and label owner Gerry Teekens ...

ALBUM REVIEW

David Binney: Barefooted Town

Read "Barefooted Town" reviewed by Troy Collins

Since founding Mythology Records in 1998, tireless alto saxophonist David Binney has alternated between issuing ambitious projects on his own label and cutting casual blowing sessions for the Netherlands-based imprint Criss Cross. Continuing this pattern, Barefooted Town is Binney's second release of 2011, following the expansive Graylen Epicenter (Mythology). Despite the limited studio time afforded Binney's Criss Cross dates, this set's intricate originals have more in common with his elaborate Mythology-based endeavors than his usual stripped-down efforts for the Dutch ...


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