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RADIO

New albums from new 9Donkeys label

Read "New albums from new 9Donkeys label" reviewed by Bob Osborne

On this show I am featuring three new albums from the new off shoot label of Screwgun Records called 9Donkeys. The music is from Tim Berne's Broken Shadows and Adobe Probe groups plus some duo work with Matt Mitchell. All three albums feature live recordings from the vaults. There are also examples of some of the excellent groundbreaking music coming out of the independently run Small Scale Music label, as well as exciting new releases from Bob Gluck, ...

ALBUM REVIEW

Tim Berne's Snakeoil: The Fantastic Mrs. 10

Read "The Fantastic Mrs. 10" reviewed by Mike Jurkovic

Alto saxophonist Tim Berne has never met anything or anyone he doesn't instantly want to re-invent, invert, dismantle and polish into his own image. And no, it's not any kind of savior thing, messianic impulse or Dr. Stranglove fixation. He simply hears and sees things more offbeat, peculiar, and colorful, thank you very much. So too does any configuration of Snakeoil, Berne's wiry, spidery and like-minded core of engineers. As a league onto themselves, bass clarinetist Oscar Noriega, ...

ALBUM REVIEW

Tim Berne's Snakeoil: The Fantastic Mrs. 10

Read "The Fantastic Mrs. 10" reviewed by Dan McClenaghan

Saxophonist Tim Berne figured out what he wanted to do early on, with albums like Ancestors (Soul Note, 1983), Nice Winter ( Winter & Winter, 1993), Science Friction (Screwgun, 2002) and Snake Oil (ECM Records, 2012)--to pick one representative recording per decade from a jam-packed discography. “I'm doing the same thing I've been doing from the start," he says. That thing is making madcap tapestries with various ensemble configurations, forming a collective voice full of piss and vinegar.

RADIO

Tim Berne, Treesearch, Broman & Vesterberg and More

Read "Tim Berne, Treesearch, Broman & Vesterberg and More" reviewed by Bob Osborne

On this show, great new releases from cutting edge musicians. Tim Berne has released a new CD with his ensemble Snakeoil. After three albums on ECM it is the first Snakeoil record to be released on Intakt. On this album the quartet is joined by French guitarist Marc Ducret. The band balances the possibilities of composition, improvisation and the tonal possibilities of an electro-acoustic jazz band in a very original way. The debut album of the ...

ALBUM REVIEW

Tim Berne's Snakeoil: The Fantastic Mrs. 10

Read "The Fantastic Mrs. 10" reviewed by Mark Corroto

Imagine Tim Berne as the lead in the 1980's' American television series The A-Team, declaring: “I love it when a plan comes together!" He must return to that catchphrase every time his ensemble Snakeoil finishes a recording. After four outings on Manfred Eicher's ECM Records, the previous being Incidentals (2017), he moves his A-Team to Intakt Records. The Fantastic Mrs. 10 confirms this ensemble is on par with the saxophonist's other great band, Bloodcount, with Chris Speed, Jim Black, Michael ...

ALBUM REVIEW

Tim Berne: Incidentals

Read "Incidentals" reviewed by Mike Jurkovic

Through three previous releases on ECM, (including the widely hailed 2015 release You've Been Watching Me alto saxophonist Tim Berne's sonic amalgamation Snakeoil has proven itself an often knotty and dissonant band of free creators, making them the perfect vehicle for Berne's often knotty and dissonant musical ideas.But it's mind boggling on many levels how these guys--clarinetist Oscar Noriega, relative newcomer guitarist Ryan Ferreira, pianist and electronicist Matt Mitchell, drummer/percussionist Ches Smith, and producer/guitarist David Torn--sustain the creative, ...

ALBUM REVIEW

Tim Berne's Snakeoil: Incidentals

Read "Incidentals" reviewed by Mark Sullivan

Tim Berne's Snakeoil band makes its fourth ECM appearance on Incidentals. The core group of saxophonist Berne, clarinetist Oscar Noriega, pianist Matt Mitchell and percussionist Ches Smith was augmented by guitarist Ryan Ferreira, as it had been on the previous album You've Been Watching Me (ECM, 2015). Producer David Torn also made two brief appearances on guitar. The integration of composition and improvisation typical of Berne's work is especially pronounced in this program. “Hora Feliz" opens the ...


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