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Daily articles carefully curated by the All About Jazz staff. Read our popular and future articles.

JAZZ EMERGES

Part 7: Sing Miller: This Little Light of Mine

Read "Part 7: Sing Miller: This Little Light of Mine" reviewed by William Carter

Born in 1914, pianist/vocalist Sing Miller was active on the New Orleans scene from the late 1920s until his death in 1990. If Sing didn't like something, he'd let you know. “Man...that ball don't bounce," is a Sing-saying drummer Jeff Hamilton remembers.Early one winter morning in Iowa in 1984, when I was traveling as a photojournalist with the Percy Humphrey band, Sing sat alone in the lobby for most of an hour, staring glumly out at the blustery ...

JAZZ EMERGES

Part 6: The Basses of Our Music

Read "Part 6: The Basses of Our Music" reviewed by William Carter

Listen to bassist Pops Foster with the Luis Russell Orchestra from 1929, playing “Jersey Lightning." Also on this record are New Orleans men Henry “Red" Allen, Albert Nicholas and Paul Barbarin. Virtually all of the New Orleans bass players depicted in this post played in an energetic, percussive style very similar to Foster's:

Fundamental: Historians and scholars have long believed the world's first jazz band to have been that of Buddy Bolden, whose powerful ...

JAZZ EMERGES
JAZZ EMERGES

Part 4: Trumpeter Percy and Clarinetist Willie Humphrey On Tour and At Home

Read "Part 4: Trumpeter Percy and Clarinetist Willie Humphrey On Tour and At Home" reviewed by William Carter

Listen to “St. Louis Blues" class="meta-date"> In a long caption in my book, Preservation Hall (W.W. Norton, 1991), I told the story, quoted below, of the Humphreys' long lives and distinguished lineage. I never met their trombonist brother, Earl, who died relatively young. Their father, Willie Humphrey, Sr., was a clarinetist who spent much of his life on road tours; in a surviving publicity shot ...

JAZZ EMERGES

Part 1: New Orleans Brass Bands 1950-1990

Read "Part 1: New Orleans Brass Bands 1950-1990" reviewed by William Carter

Visible Roots of America's Most Original Cultural Product

A lifelong preoccupation with traditional New Orleans jazz inspired my book, Preservation Hall (W.W. Norton, 1991). While doing my own shooting, I uncovered a trove of historical photos I decided to mix with my own (sources available on request). Like the music itself, this project is a blend of old and new, personal and professional. Blogs, like recordings, add a fresh dimension to a traditional art.


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