Articles

Daily articles carefully curated by the All About Jazz staff. Read our popular and future articles.

LIVE REVIEW

Tierney Sutton At The Jazz Corner

Read "Tierney Sutton At The Jazz Corner" reviewed by Martin McFie

Tierney Sutton The Jazz Corner Hilton Head Island, SC February 8, 2020 When a lady has chosen nine new outfits, attended nine nerve wracking awards dinners and been nominated for nine Grammys since 2006, it would simply be impolite not to vote for her to win next time. Tierney Sutton certainly deserves to win a Grammy for the quality of her work. In the audience at The Jazz Corner was another of this year's crop ...

RADIO

Summer City

Read "Summer City" reviewed by Mary Foster Conklin

This Summer in the City broadcast includes new releases from bassist Marlene Rosenberg, vocalists Greta Matassa and Rosana Ekert, the Akiko/Hamilton/Dechter Trio and the Wayne Wallace Jazz Quartet, with birthday shout outs to Dave Grusin, vocalists Madeline Eastman, Tierney Sutton, Lena Horne and harpist Brandee Younger, among others. Playlist Jennifer Wharton “The Year of Two Summers" from Bonegasm (Sunnyside) 00:00 It's A Beautiful Day “Hot Summer Day" from It's a Beautiful Day (Columbia) 07:42 Host speaks 13:26 Lisa ...

ALBUM REVIEW

Tierney Sutton Band: Screenplay

Read "Screenplay" reviewed by Nicholas F. Mondello

Cinema-related “standards" have been fertile territory for musicians to harvest ever since Al Jolson walked miles for smiles. With Screenplay, 8-time Grammy-nominated vocalist Tierney Sutton—here as the Tierney Sutton Band—takes a fascinating retrospective, delivering fifteen tunes we have often heard— but never this creatively. The result is a showcase that is unique, engaging, and—in terms of how Sutton, pianist Christian Jacob, bassists Trey Henry and Kevin Axt and drummer Ray Brinker collectively speak—brilliant. “The Windmills of Your Mind" ...

CATCHING UP WITH

Tierney Sutton: Movie Music Re-visited

Read "Tierney Sutton: Movie Music Re-visited" reviewed by Josef Woodard

Ace jazz singer Tierney Sutton has built up a large discography and international “gigography" with her tautly integrated and long-standing band— pianist Christian Jacob, bassists Kevin Axt and Trey Henry and drummer Ray Brinker— scooping up accolades and trophies, of the GRAMMY and poll-winning sort and more. Enter a new-ish relationship: screen life. Sutton and band have rubbed collective elbows with the film world in the last few years, after jazz-loving director Clint Eastwood hired them to perform ...

ALBUM REVIEW

Tierney Sutton Band: ScreenPlay

Read "ScreenPlay" reviewed by Dan Bilawsky

A cinematic sweep has long been present in the music of the Tierney Sutton Band, but never before have the stories been so vivid and the colors as striking. With ScreenPlay this long-running group adopts and adapts material from the silver screen, creating high art that's spellbinding and eminently listenable. In the past, whether exploring the music of rock icon Sting, remodeling the Great White Way, or placing jazz classics in new light, Sutton and her bandmates ...

LIVE REVIEW

Tierney Sutton Band at the Newman Center

Read "Tierney Sutton Band at the Newman Center" reviewed by Geoff Anderson

Tierney Sutton Band Newman Center Denver, Colorado January 11, 2018 The Tierney Sutton Band has been known for some time as a unit that takes jazz standards and runs them through its magical musical box and something very, very different emerges. Usually, the results are somewhat recognizable, other times the original theme is revamped, subjected to genetic engineering and cross bred with strange genomes until it bears only the vaguest of familial resemblances; third ...

LIVE REVIEW

The Tierney Sutton Band at SFJAZZ Center

Read "The Tierney Sutton Band at SFJAZZ Center" reviewed by Asher Wolf

The Tierney Sutton Band SFJAZZ Center Summer Jazz Festival San Francisco, CA July 17, 2016 When Tierney Sutton holds a note it sucks the listener in like the gravity of an object slowly accumulating mass. Breaking the rhythm of her spare, surgically precise vocal brushwork, Sutton occasionally freezes on a certain pitch, taking the audience captive until they are forced to regard the intricacies of her timbral landscape. After a second or two, the ...


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