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Daily articles carefully curated by the All About Jazz staff. Read our popular and future articles.

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Live Review

Grant Stewart Trio with Special Guest John Swana at Chris’ Jazz Café

Read "Grant Stewart Trio with Special Guest John Swana at Chris’ Jazz Café" reviewed by Victor L. Schermer


Grant Stewart Trio with Special Guest John Swana Chris' Jazz Cafe Philadelphia, PA August 18, 2017 In this supremely swinging hard bop set, Toronto-born New York saxophonist Grant Stewart joined long-time Philadelphia musicians: organist Lucas Brown, drummer Dan Monaghan, and special guest John Swana to knock out standards with a rare execution that was as tight as what might be the final takes on a recording date. The event was notable for Swana's first-time ...

3

Album Review

Grant Stewart Trio: Roll On

Read "Roll On" reviewed by Jack Bowers


Add Grant Stewart's name to the growing list of tenor saxophonists who are gaining broad approval by reanimating exemplary yet by and large overlooked songs from the Great American Songbook and elsewhere and lending them a fresh coat of paint that not only accentuates their timeless charm but does so while swinging in the grandest jazz tradition. Others who have championed that cause in recent years include (but are not limited to) Harry Allen, Ken Peplowski, Scott Hamilton and fellow ...

8

Catching Up With

Grant Stewart: The Sound of Hard Bop Today

Read "Grant Stewart: The Sound of Hard Bop Today" reviewed by Marta Ramon


Grant Stewart is regarded as one of the most influential tenor sax players of the contemporary jazz scene. After nine formative years of intense learning and playing in his hometown of Toronto, the 19 year- old Stewart took his saxophone and bought a flight to New York. Once there, he did things his own way from day one: he decided his best bet would be to seek tutelage from musicians he liked, such as trumpter Donald Byrd, pianist Barry Harris ...

265

Album Review

Grant Stewart: Plays the Music of Duke Ellington & Billy Strayhorn

Read "Plays the Music of Duke Ellington & Billy Strayhorn" reviewed by George Kanzler


Here's a refreshing take on Ellingtonia, one that doesn't rely on the overdone ("Take the A Train," “Perdido") or easy ("C-Jam Blues"). Canadian native Grant Stewart brings a post-Swing, combo approach to his Ellingtonia, even going so far as to reference Max Roach, Sonny Rollins, Charles Mingus, Thelonious Monk{{ and the {{Duke Ellington/John Coltrane collaboration. The tenor saxophonist, whose own distinctive style has echoes of Clifford Jordan and later Al Cohn in tone and conception, leads a pos tbop/hard bop-leaning ...

234

Album Review

Grant Stewart: Young at Heart

Read "Young at Heart" reviewed by David A. Orthmann


Since moving from Toronto to New York at age 19, Grant Stewart has spent 15 years dutifully toiling in the city's jazz underground. Only over the past few years have we begun to hear some worthy examples of the tenor saxophonist's labor--a release under his name for Criss Cross, a pair on the same label by Reeds and Deeds (a band he co-leads with Eric Alexander), and a couple on the Video Arts imprint. Although all of these discs are ...

717

Interview

Grant Stewart: From Smalls To The Big Time

Read "Grant Stewart: From Smalls To The Big Time" reviewed by Jason Crane


Saxophonist Grant Stewart moved from Toronto to New York after high school, and quickly established himself as a musician's musician. Stewart has played and studied with everyone from Donald Byrd and Pat LaBarbera to Brad Mehldau and Al Grey. His new album, In The Still Of The Night (Sharp Nine, 2007) is an infectious album of classic tenor tones.

AAJ contributor Jason Crane recently spoke with Stewart about jazz's Yoda, hard-asses and Eddie Van Halen.

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Extended Analysis

Grant Stewart: In The Still Of The Night

Read "Grant Stewart: In The Still Of The Night" reviewed by David A. Orthmann


Grant Stewart In The Still Of The Night Sharp Nine Records 2007

Soloing on the title track of In The Still Of The Night, tenor saxophonist Grant Stewart plays scads of notes over a rhythm section traveling at warp speed. But while his stamina and ability to think fast at a nearly impossible tempo are impressive, this tenacious blowing doesn't hint at the depth of Stewart's work on the rest ...


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