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Jazz Articles about John Dikeman

5
Album Review

John Dikeman, Pat Thomas, John Edwards, Steve Noble: Volume 2

Read "Volume 2" reviewed by John Sharpe


An incendiary outfit returns for a second volume (perhaps the second set?) of free jazz mayhem from London's Cafe Oto, recorded in February 2019. It comprises four players, each with a big sound, regardless of amplification, and a big personality to match--Amsterdam-based American John Dikeman, on tenor saxophone, and the British threesome of Pat Thomas (hailed by drummer Tyshawn Sorey as one of the best in the world, following their duet in the 2023 London Jazz Festival) on piano, John ...

Album Review

Orquesta del Tiempo Perdido: Sepk

Read "Sepk" reviewed by Alberto Bazzurro


Un'aria vagamente zappiana, ma del resto prossima anche a svariati altri (eventuali) referenti fra quanti amino mettere a “friggere" insieme ingredienti di diversa provenienza (colpendo fin da una copertina abbastanza sorprendentemente à la Baglioni degli anni d'oro...) è quanto ci arriva da questo singolare album olandese (ma portoghese per produzione), il terzo dell'ensemble diretto dal chitarrista-tuttofare Jeroen Kimman. Nel mare magnum dei dodici brani proposti, tutti targati Kimman (due decisamente ampi, gli altri molto meno), si respirano ...

6
Album Review

Luis Vicente 4tet: House In The Valley

Read "House In The Valley" reviewed by John Sharpe


Portuguese trumpeter Luis Vicente wrote the four compositions which make up House In The Valley during lockdown. His intention was to evoke childhood memories of times at his grandparents' rural house. Judging from the outcomes there must have been a lot of '60s American New Thing on the turntable at the time. In particular the way the group realizes Vicente's melodies recalls Don Cherry's outings from that period such as Complete Communion (Blue Note, 1966) and Symphony For Improvisers (Blue ...

5
Album Review

John Dikeman / Pat Thomas / John Edwards / Steve Noble: Volume2

Read "Volume2" reviewed by Mike Jurkovic


If ever oh ever there was a more ornery conversation between four highly-charged, time-defiant individuals, Volume2 sets the mark. Arguing, as great men do, about all things seen and unseen, secular and sublime, consummate free jazzers saxophonist John Dikeman, pianist Pat Thomas, bassist John Edwards and drummer Steve Noble circle the wagons once again at London's Cafe Otto and chase the demons and angels that co-inhabit each and every one of us. “No," its half-hour plus mad rush mix of biblical ...

8
Album Review

Luís Vicente 4tet: House In The Valley

Read "House In The Valley" reviewed by Mark Corroto


There is a synergy in simplicity and, with the Luís Vicente 4tet, a simplicity which comes from the synergistic effects of this unpretentious quartet. The four musicians--Portuguese composer, leader & trumpeter Luís Vicente, Dutch drummer Onno Govaert, and the Americans, tenor saxophonist John Dikeman and bassist Luke Stewart--assembled for a series of concerts in Portugal in 2021. This recording was captured in Caldas da Rainha on July 19th. The simplicity here is the same honesty we hear in the early ...

Album Review

Orquesta del Tiempo Perdido: Traantjes

Read "Traantjes" reviewed by Angelo Leonardi


L'Orquesta del Tiempo Perdido è un visionario progetto dell'olandese Jeroen Kimman, che ha debuttato nel 2018 con l'album Stille ed ora riconferma tutto il suo eclettico e bizzarro universo stilistico con Traantjes (in olandese lacrime). In contraddizione con le nostalgiche illustrazioni della cover (ma anche qui si può discutere, vista la somiglianza con test proiettivi come il T.A.T., che fanno emergere l'inconscio), la musica assembla frammenti stilistici diversi, indulgendo sulle musiche popolari e bandistiche centroamericane e sul ...

3
Album Review

John Dikeman, Pat Thomas, John Edwards, Steve Noble: Volume 1

Read "Volume 1" reviewed by John Sharpe


For those worried about soaring energy bills, the inflammatory foursome of tenor saxophonist John Dikeman, pianist Pat Thomas, bassist John Edwards and drummer Steve Noble certainly offers one solution. They must have truly warmed the room at London's Cafe Oto on a cold February evening in 2019, on the evidence of the forty-minute program presented on Volume 1. It is hard to think of a more potent set of practitioners of the free jazz vernacular than this particular agglomeration, all ...


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