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Album Review

Felipe Salles: Home Is Here

Read "Home Is Here" reviewed by Angelo Leonardi


Home Is Here conclude la trilogia del compositore e bandleader brasiliano Felipe Salles (residente dal 1995 negli USA dove insegna all'Università del Massachusetts Amherst) dedicata al tema dell'immigrazione. Un'indagine musicale e multimediale iniziata nel 2018 con The Lullaby Project e proseguita due anni dopo con The New Immigrant Experience, di cui abbiamo già parlato in queste pagine. Qui Salles focalizza il tema dell'immigrazione nel jazz ed ha invitato otto protagonisti della scena di New York ad esibirsi col ...

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Album Review

Felipe Salles Interconnections Ensemble: Home is Here

Read "Home is Here" reviewed by Troy Dostert


For the third recording from his Interconnections Ensemble, tenor saxophonist and composer Felipe Salles chose to put the artists first--literally. That is, he had extensive conversations with each of the guest musicians on the record before composing the pieces on which each would be featured, thus highlighting their own stylistic and personal characteristics. The result is a polychromatic, adventurous album that allows Salles' multidimensionality as a composer to flourish. And with top-shelf guests such as Melissa Aldana, Paquito D'Rivera, and ...

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Album Review

Felipe Salles: The New Immigrant Experience

Read "The New Immigrant Experience" reviewed by Angelo Leonardi


The New Immigrant Experience è un lavoro multimediale, che combina musica orchestrale e proiezioni video, ispirato all'esperienza dei Dreamers, persone protette dal programma Deferred Action for Childhood Arrivals. Accanto al compact disc musicale il progetto include quindi un DVD (curato dalla regista Fernanda Faya) in cui Felipe Salles intervista giovani immigrati, raccogliendo storie di vita spesso dolorose. Quelle testimonianze sono servite al bandleader da ispirazione per questo nuovo lavoro col Felipe Salles Interconnections Ensemble, una big band di 20 elementi ...

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Album Review

Felipe Salles Interconnections Ensemble: The New Immigrant Experience

Read "The New Immigrant Experience" reviewed by Jack Bowers


Is it mere coincidence, or does the rise in the number of “concept" albums by jazz big bands signal that the trend is here to stay? Trumpeter Brian Lynch won a 2020 Grammy Award for his Journey Through Literature in Music, and there have been other tenet-based enterprises within the past year by Dan Jonas, John Bailey, Eric Weiss, the WDR Big Band, Marcus Shelby, the New Orleans Jazz Orchestra, Chris Jentsch and others. Now comes The New Immigrant Experience, ...

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Album Review

Earl MacDonald: Open Borders

Read "Open Borders" reviewed by Jack Bowers


Open Borders brings to the fore Canadian-born pianist Earl MacDonald's burnished tentet in a program that consists of eleven sunlit and swinging themes, five of which were composed by the leader. Besides writing, MacDonald did most of the arranging, and he excels in both arenas, as he does on piano (most notably on the standards “Blame It On My Youth" and “East of the Sun" as well as on Percy Mayfield's R&B classic “Hit the Road Jack" and his own ...

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Album Review

Earl MacDonald: Open Borders

Read "Open Borders" reviewed by Mike Jurkovic


Not many piano led ensembles finds the pianist laying as far back in the musical dialogue as Earl MacDonald, who doesn't come anywhere near an extended solo until “Miles Apart" and Percy Mayfield's Ray Charles blow- out “Hit The Road Jack" (tracks five and six respectively). But that's just fine given that MacDonald has charted the conversations and man oh man, do these arrangements crackle with spirit.From the high-flying “Dig In Buddy" to the exhilarating Latin flavors “Dolphy ...

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Album Review

Earl MacDonald: Open Borders

Read "Open Borders" reviewed by Dan Bilawsky


Politicians might do well to take a few pointers from pianist-arranger Earl MacDonald. As this fine album attests to, it's far better to build bridges than walls, and far more productive to open borders and dialogue than close hearts, minds, and doors. While MacDonald didn't initially set out to make a political statement with this recording, both the events of the day and the make-up of the marvelously tight dectet that brings this music to life got ...


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