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ALBUM REVIEWS

Martial Solal: My One And Only Love: Live at Theater Gütersloh

Read "My One And Only Love: Live at Theater Gütersloh" reviewed by Dan Bilawsky

English poet Samuel Johnson famously and accurately remarked that “He that runs against Time has an antagonist not subject to casualties." With that statement, Johnson essentially cut to the ultimate truth behind man's battle with mortality, the powers of change, and the swift dominance of the aging process. But he didn't say it all. What he failed to address was the other side of the coin--those rare few that, while still on Earth, manage to flip Time from adversary to ...

LIVE REVIEWS

Student Ensemble and Martial Solal: Philadelphia, April 9, 2011

Read "Student Ensemble and Martial Solal: Philadelphia, April 9, 2011" reviewed by Victor L. Schermer

Berklee Global Jazz Institute/ Boyer College of Music and Dance, Temple University Martial Solal Perelman Theater,Kimmel Center for the Performing Arts,Philadelphia, PA Saturday, April 9, 2011 This was the final concert of the 2010-2011 season of the popular Jazz Up Close series, celebrating the legendary Thelonious Monk, organized by pianist/curator Danilo Pérez. It consisted of two disparate sets. The first brought together young musicians from the Berklee Global Jazz Institute, based in ...

ALBUM REVIEWS

Martial Solal: Live at the Village Vanguard: I Can't Give You Anything But Love

Read "Live at the Village Vanguard: I Can't Give You Anything But Love" reviewed by Jack Kenny

"Tonight is a very important night because we recording the show. I have to be good and you have to be good too," Solal jokes to his Village Vanguard audience in New York, but it would not be surprising if the pianist felt some pressure. The few appearances that Solal has made in the US are startling, considering that he is one of the greatest pianists in the history of Jazz. Solal, born Algiers in 1927, has ...

ALBUM REVIEWS

Martial Solal: Live at the Village Vanguard: I Can't Give You Anything But Love

Read "Live at the Village Vanguard: I Can't Give You Anything But Love" reviewed by C. Michael Bailey

Martial Solal is a nuclear physicist of the piano. He tinkers with the subatomic structure of compositions, moving elements around, pulling them apart, and smashing them together in ways that both surprise and delight. Solal was born Algiers in 1927, settling in Paris in 1950 where he worked with Django Reinhardt and American expatriates Sidney Bechet and Don Byas. He has maintained an impressive creative profile for the past 50 years that involves solo, small group, and big band formats. ...

ALBUM REVIEWS

Martial Solal Trio: Longitude

Read "Longitude" reviewed by John Kelman

Oftentimes the best free players are those with a firm footing in the jazz tradition. Few have demonstrated as uncanny an ability to straddle the line between form and freedom as Martial Solal, a European pianist who has eluded his due credit in North America. Like the slightly younger Paul Bley, Solal has an ability to take the most well-worn standard and transform it into something new; oftentimes nearly unrecognizable but always engaging and playful. Solal may lean hard to ...

PROFILES

Martial Solal: Solal Seul

Read "Martial Solal: Solal Seul" reviewed by George Kanzler

Lorraine Gordon has been trying to persuade pianist Martial Solal to return to the Village Vanguard ever since his unfortunately timed debut there, with a trio, in September of 2001, shortly after the 9/11 attacks. Solal, claiming he was too lazy at his age to travel to New York (he was 80 this August, 2007), kept declining the invitation.“But this year, said Solal from his home in France, “I called Lorraine and said I would come to New ...

ALBUM REVIEWS

Martial Solal: NY 1: Live at The Village Vanguard

Read "NY 1: Live at The Village Vanguard" reviewed by Jeff Stockton

Opening night for pianist Martial Solal's rare appearance in New York City was scheduled at the Village Vanguard for September 18, 2001. The show went on, but because the city wasn't too much in the mood for enjoyment, and Solal had had trouble making the flight. That first night he performed standards to a sparse but emotionally hungry audience, as if the familiarity of those selections would serve the moment, musically and psychologically. The beauty and perfection of Solal's playing ...


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