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LIVE REVIEWS

Mark de Clive-Lowe at Nublu 151

Read "Mark de Clive-Lowe at Nublu 151" reviewed by Tyran Grillo

Mark de Clive-Lowe Nublu 151 Winter Jazzfest New York, NY January 10, 2019 New York City's Winter Jazzfest is about nothing if not cross-pollination. This guiding principle crystallized at every venue, but perhaps nowhere so psychosomatically as at Nublu 151, where Mark de Clive-Lowe spearheaded late-night jamming of a decidedly electronic persuasion. Trading in his jazzier hat, as worn with such humility in his recent Heritage, for that of DJ, he promised the dance ...

ALBUM REVIEWS

Mark de Clive-Lowe: Heritage

Read "Heritage" reviewed by Tyran Grillo

On Heritage, pianist/composer/producer Mark de Clive-Lowe sows two rhythmic seeds for every melodic plant reaped from an autobiographical crop. The half-Japanese, half-New Zealander's spiritual kinship with Japan runs deep. His blending of electronics and sampling elicits a precision that only enhances the freer passages, and provides a fitting platform for his copilots Josh Johnson (alto sax and flute), Teodross Avery (tenor sax), Brandon Eugene Owens (bass), Carlos Niño (percussion) and Brandon Combs (drums). At home in jazz and ...

ALBUM REVIEWS

Mark de Clive-Lowe: Live at the Blue Whale

Read "Live at the Blue Whale" reviewed by Phillip Woolever

This fine, four-song EP provides testimonial insight to de Clive-Lowe's influences and inspiration, through three cover songs and one extended original piece recorded at a Los Angeles club during March of last year. Contrasting some of de Clive-Lowe's more recent beat-based techno projects this is primarily and predominately a jazz record, and quite an enjoyable one, indeed. De Clive-Lowe joins a well-rounded quartet with Josh Johnson on sax and flute, Brandon Eugene Owens on bass and ...


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