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Harry Skoler: Two Ones

Read "Two Ones" reviewed by Dan Bilawsky

Two Ones--the title of clarinetist Harry Skoler's fourth CD--clearly alludes to the musical rapport between Skoler and vibraphonist/pianist Ed Saindon, in addition to referencing the way the album is divided into quintet and duo recordings. Skoler and Saindon have been working together for more than fifteen years and have developed a deep musical connection during that time. This album is a faculty-friend affair, with all five musicians on this date being faculty members at the Berklee College of Music, and ...

ALBUM REVIEWS

Harry Skoler: A Work of Heart

Read "A Work of Heart" reviewed by AAJ Staff

On his 1999 album A Work of Heart clarinetist/composer Harry Skoler opens his repertoire and his orchestral possibilities as wide as his heart, letting in new people and new ideas. In addition to his trusted rhythm section of bassist Richard Kimball and drummer Tim Gilmore, Harry adds the formidable talents of neighborhood fret-master Garrison Fewell and pianist/arranger/producer Donn Trenner--who has also worked with other reed masters like Stan Getz and Charlie Parker, as well as Tommy Dorsey, Lena Horne and ...

ALBUM REVIEWS

Harry Skoler: A Work of Heart

Read "A Work of Heart" reviewed by Matthew S. Robinson

On his latest album, clarinetist/composer Harry Skoler opens his repertoire and his orchestral possibilities as wide as his heart, letting in new people and new ideas. In addition to his trusted rhythm section of bassist Richard Kimball and drummer Tim Gilmore, Harry adds the formidable talents of neighborhood fret-master Garrison Fewell and pianist/arranger/producer Donn Trenner, who has also worked with other reed masters like Stan Getz and Charlie Parker, as well as Tommy Dorsey, Lena Horne and Skoler’s label-mate Paul ...

ALBUM REVIEWS

Harry Skoler: A Work of Heart

Read "A Work of Heart" reviewed by Mike Neely

Throughout A Work of Heart clarinetist Harry Skoler displays an intimate, chamber swing sensibility that sings above a finely meshed group of musicians. Skoler is not interested in pyrotechnics; he is interested in the emotional nuances of ten carefully chosen compositions.

On five of the tracks Donn Trenner has arranged strings tastefully and affectively. He is also the pianist throughout whose solos and sensitive accompaniment to Skoler contribute significantly to the success of this recording. The guitarists, Garrison Fewell and ...


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