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Jazz Articles about Sirone

8
Album Review

Noah Howard: Quartet To At Judson Hall, Revisited

Read "Quartet To At Judson Hall, Revisited" reviewed by Mark Corroto


Saxophonist Noah Howard is a musician deserving wider recognition. Born in New Orleans in 1943, like many black musicians he began playing music in the church. After a stint in the army, he settled on the West Coast where the avant-garde was progressing outside the purview of New York, which at the time was considered the center of all things jazz. The West Coast was also the origin of such as avant-gardists as Ornette Coleman, Don Cherry, Charlie Haden, and ...

10
Album Review

Cecil Taylor: The Complete, Legendary, Live Return Concert

Read "The Complete, Legendary, Live Return Concert" reviewed by Mike Jurkovic


If the title alone The Complete, Legendary, Live Return Concert doesn't blow out those flu-like post-holiday cobwebs in a big hurry, the full, near ninety minute assault on all that was and is holy damn well will. Couple the jittery anticipation of NYC's Town Hall audience pushing up against the cool onstage élan of alto saxophonist Jimmy Lyons, percussionist Andrew Cyrille and bassist Sirone aka Norris Jones and the air in the hall is highly, nervously charged, all of them ...

13
Album Review

Marion Brown: Why Not? Porto Novo! Revisited

Read "Why Not? Porto Novo! Revisited" reviewed by Chris May


Alto saxophonist Marion Brown was part of the band on John Coltrane's Ascension (Impulse, 1965), though you would not guess it from Why Not (ESP, 1968). Like fellow Ascension alumnus, tenor saxophonist Pharoah Sanders' contemporaneous Tauhid (Impulse, 1967), Brown's album inhabited an intensely melodic section of the 1960s' New Thing. As were Sanders' own-name releases from 1967 onwards, Brown's work was deeply lyrical and embraced South Asian, Maghrebi and West African instruments and constructs. As bandleaders, the two ...

222
Album Review

Sirone: Live

Read "Live" reviewed by John Eyles


As Andrey Henkin pointed out last January, Sirone is under-represented on CD, particularly given his illustrious history. The 2005 release of the debut album from the Sirone Bang Ensemble has helped the situation; now comes this historic reissue.

Dating from 1981, Live is both a valuable historical snapshot and a curate's egg of an album, very good in parts. I found the opening track, “Flute Song," featuring Sirone on wood flute, to be rather too long and a ...

911
Profile

And Now... Sirone

Read "And Now... Sirone" reviewed by Andrey Henkin


2004 was a busy year for Sirone. The bassist for the legendary Revolutionary Ensemble saw one of that group's five recordings reissued for the first time (and become the only document of the group to make it to the CD era); a few months later, spurred by the resurgent interest in the group, the trio reformed for an exultant set at the Vision Festival. Feeling flush with momentum, the group reentered the studio and recorded their newest album since 1977's ...


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