Articles | Popular | Future

ALBUM REVIEWS

Matthew Shipp: Invisible Light - Live São Paulo

Read "Invisible Light - Live São Paulo" reviewed by Karl Ackermann

Matthew Shipp's playing has become so distinct over the years that it is difficult to view him from the perspective of influences. There are numerous examples of the virtuoso pianist-composer channeling Cecil Taylor, Andrew Hill, Thelonious Monk or even Morton Feldman, but not through imitation. Nor is his own identifiable style so tangible that his music loses any spontaneity. Invisible Light -Live São Paulo is among the finest of Shipp's solo projects, reflecting the best of what he has cultivated ...

ALBUM REVIEWS

Matthew Shipp - Mark Helias - Gordon Grdina: Skin And Bones

Read "Skin And Bones" reviewed by Karl Ackermann

The Skin and Bones Music Series is an ongoing succession of creative music events in various venues in and around the city of Kelowna in British Columbia. The concerts have hosted a diverse group of jazz artists from veterans such as Peter Brötzmann to rising stars The Bjorn Kriel Trio. Among the series' featured acts was the power trio MGB, with guitarist, oud player, and oboist Gordon Grdina, Matt Mitchell and Jim Black. In 2018, Grdina returned with virtuoso pianist, ...

IN PICTURES
RADIO

A Focus on Matthew Shipp

Read "A Focus on Matthew Shipp" reviewed by Bob Osborne

This time around a focus on master pianist and composer Matthew Shipp with a selection of material from across his career. In between new music from post-EST super-group Rymden and more selections from the highly talented William Tatge. Playlist Matthew Shipp Trio “Signature" from Signature (ESP Disc) 00:00 William Tatge Trio “Hidden Agenda" from General Cargo (Brooklyn Jazz Underground) 07:32 Rymden “Reflections" from Reflections and Odysseys (Jazzland) 15:27 Matthew Shipp “Gamma Ray" from Invisible Touch at Taktlos Zurich ...

MULTIPLE REVIEWS

Matthew Shipp Announces Presidential Campaign

Read "Matthew Shipp Announces Presidential Campaign" reviewed by Mark Corroto

I like to think about Matthew Shipp's music in the same light as that of Eric Dolphy and Charlie Parker. If both artists, Bird and Dolphy, had the level of support from critics and listeners that they currently command while they were still alive, the pair would have been wealthy. Okay, that plus honest record companies executives that didn't rip them off and steal their publishing rights. What I'm getting at here is there are giants that live amongst us. ...

ALBUM REVIEWS

Kris Davis/Matt Mitchell/Aruán Ortiz/Matthew Shipp: New American Songbooks, Volume 2

Read "New American Songbooks, Volume 2" reviewed by Karl Ackermann

Nate Wooley--as a Producer--equals his composer, improviser, and trumpeter alter ego. The editor-in-chief of the journal Sound American and distributor of music through the label of the same name, has issued a second edition of his forward thinking New American Songbook series. New American Songbooks, Volume 1, (Pleasure of the Text, 2017) was a cooperative trio of drummer Greg Saunier, guitarist Mary Halvorson and Ron Miles on cornet. Unlike any number of familiar “Great American Songbook" collections, this one featured ...

ALBUM REVIEWS

Matthew Shipp Trio: Signature

Read "Signature" reviewed by Karl Ackermann

In the period of 2017-2018, the leading avant-garde and free jazz pianist Matthew Shipp performed and recorded in a variety of small group settings. Often, he was paired with reed players such as Allen Lowe, Mat Walerian, Daniel Carter, Roscoe Mitchell and on an astounding dozen albums with Ivo Perelman. But it is in solo piano and trio settings that Shipp's matchless piano talents shine. In the mix of those two years were the excellent Piano Song (Thirsty Ear, 2017) ...

ALBUM REVIEWS

Matthew Shipp: Sonic Fiction

Read "Sonic Fiction" reviewed by Don Phipps

Prolific composer and pianist Matthew Shipp demonstrates his craft on Sonic Fiction, an album chock full of bluesy, quirky, sonic landscapes that suggest a late-night visit to a Tom Waits' greasy spoon diner or a starless midnight walk along a creaky fisherman's wharf. Shipp gives his talented cohorts, Mat Walerian on clarinet and sax, Michael Bisio on bass, and Whit Dickey on drums, plenty of room to maneuver and paint their own sonic stories. The result is an intriguing exploration ...

LIVE REVIEWS

Shipp / Lowe / Baker / Ray at Le Poisson Rouge

Read "Shipp / Lowe / Baker / Ray at Le Poisson Rouge" reviewed by Karl Ackermann

Shipp / Lowe / Baker / Ray Le Poisson Rouge New York, NY August 11, 2018 Bring together Matthew Shipp, Newman Taylor Baker, Allen Lowe and Kevin Ray and you have more than an inspired music event; this is a living history that--by professional extension--covers the study of the earliest American music to the creation of the most modern creative jazz. On August 11, 2018, Le Poisson Rouge in New York's Greenwich ...

ALBUM REVIEWS

Matthew Shipp: Symbol Systems

Read "Symbol Systems" reviewed by C. Michael Bailey

Recorded originally in 1995 and released on No More Records, Matthew Shipp's Symbol Systems finds new life on Hatology in 2018. This was Shipp's first solo-piano recording whose genesis lay in the ideas of producer Alan Schneider. The recording is the result of a day spent in the studio by Shipp effusing what Shipp described to writer Lyn Horton in All About Jazz as thirteen “compact miniatures of ideas imposed on a structure." If Shipp sounds like a brainy mystic, ...

ALBUM REVIEWS

Matthew Shipp: Invisible Touch At Taktlos Zurich

Read "Invisible Touch At Taktlos Zurich" reviewed by John Sharpe

On Invisible Touch At Taktlos Zurich, echoes of the jazz and classical traditions rub shoulders in a bewitching amalgam of insistent phrases, left hand tumult, undulating abstractions and gossamer melody. “No change there then," you might say when considering this installment of Matthew Shipp's solo oeuvre from May 2016. By this stage in his career the pianist was standing as one of the premier instrumentalists in the modern jazz arena, with an utterly distinctive style. That is borne out by ...

ALBUM REVIEWS

Matthew Shipp: Zero

Read "Zero" reviewed by Mark Corroto

There has always been a connection between Thelonious Monk and Matthew Shipp, just not in the music they play. Monk, a student of Harlem stride piano, was present at the birth of bebop. Shipp, born in 1960, has always been associated with the avant-garde, free jazz and improvisation. The connection between the two pianists is their creation of a distinctive and personal language. Monk's melodic twists were foreign to many listeners and were put down as being weird and unconventional. ...


Shop for Music

Start your music shopping from All About Jazz and you'll support us in the process. Learn how.