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Jazz Articles about Irene Schweizer

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Radio & Podcasts

Schweizer & Drake, Tom Rainey & El Negocito Artists

Read "Schweizer & Drake, Tom Rainey & El Negocito Artists" reviewed by Maurice Hogue


This episode features some excellent new releases: veteran free jazzers, pianist Irène Schweizer and drummer Hamid Drake, tearing it up at a European festival, the sublime trio Ocelot from Brooklyn, South Korean drummer Soojin Suh, pianist Dahveed Behroozi, Tom Rainey & Obligato live in Europe, and Split-Bit from jny: Berlin, plus tracks from several artists who record for the left-leaning El Negocito label from Belgium. Playlist Tiziano Tononi & Future Ancestors “Mantra Of The Wind And Water" from ...

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Album Review

Irene Schweizer / Hamid Drake: Celebration

Read "Celebration" reviewed by Troy Dostert


If John Coltrane was the dominant figure behind the rise of Impulse Records in the 1960s, and Wayne Shorter played a similar role for Blue Note in the same decade, one could argue that pianist Irène Schweizer has placed her stamp upon Intakt Records. Certainly the Swiss avant-garde label has embraced that relationship, as aside from a handful of releases on FMP, Intakt has been Schweizer's exclusive home since the 1980s, with dozens of releases over the years documenting her ...

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Album Review

Irene Schweizer / Hamid Drake: Celebration

Read "Celebration" reviewed by Dan McClenaghan


Celebration is a walloping storm of free jazz, rolling in on a hard-hitting percussion mode. Pianist Irene Schweizer holds down the piano chair, Hamid Drake is behind the drum kit. The pair has played and recorded together often. The opener, “A Former Dialogue," introduces us to a drum thunder and a splattering of fat piano-crafted raindrops. Schweizer's piano approach sounds as if it is an attack full of elbows and knees, making madcap, Cecil Taylor-like pandemonium interspersed with moments of ...

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Radio & Podcasts

Mostly Outside

Read "Mostly Outside" reviewed by Patrick Burnette


Time for a traditional mixed-bag podcast ranging over the decades and through musical styles, though 2001 gets special treatment for whatever reason. Artists range from an Ornette Coleman-esque quartet from the sixties to an uplifting piano trio from right now, with an outward questing pianist and trumpeter in the middle of the sandwich. Pop matters dwells on some recent vinyl re-issues of old skool alternative rock classics and--good lord--is that some Thin Lizzy in there? Playlist Discussion of ...

Album Review

Irene Schweizer, Joey Baron: Live!

Read "Live!" reviewed by Alberto Bazzurro


Inciso a Zurigo a fine 2015, l'album riunisce due improvvisatori di scuole e generazioni diverse: Irène Schweizer, settantasei anni, svizzera di Sciaffusa, attraversa l'avanguardia europea praticamente fin dal suo primo affermarsi (se non affacciarsi), mentre Joey Baron, sessantaduenne di Richmond, quella stessa avanguardia (ovviamente dall'altra sponda dell'Atlantico) l'ha accompagnata, per così dire fiancheggiata, nel corso di una carriera ultratrentennale abbracciando però anche esperienze “altre." La prima volta che l'abbiamo ascoltato, per dirne una, era nel trio di Jim Hall, la ...

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Album Review

Irene Schweizer / Han Bennink: Welcome Back

Read "Welcome Back" reviewed by John Sharpe


For such an assuredly rhythmic player Swiss pianist Irene Schweizer shows an unexpected affinity to drummers, who feature disproportionately as partners in her discography. But even so Welcome Back constitutes only the second entry to pair Schweizer with maverick Dutch drummer Han Bennink, following their eponymous debut (Intakt, 1996), which was itself preceded by years of engagement stretching back further still. In spite of their impeccable avant-garde credentials (both have been at the forefront of European improv for the last ...

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Album Review

Irene Schweizer, Han Bennink: Welcome Back

Read "Welcome Back" reviewed by Maurizio Zerbo


Correte ad acquistare questo strepitoso CD, se non lo avete ancora fatto. In questo progetto si ritrovano i risultati più inaspettati raggiunti dal jazz contemporaneo. Vi aleggia una gioiosa comunicativa, che si contraddistingue rispetto all'attuale produzione europea di stampo avanguardistico. A ciò si aggiungano ritmi ipnotici e danzanti che fanno di questo disco una rara avis. Il duo Irene Schweizer-Han Bennink ricorre ad una nuova chiave di lettura di un processo destrutturante, che riguarda la storia e l'estetica jazzistica.


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