Articles

Daily articles carefully curated by the All About Jazz staff. Read our popular and future articles.

INTERVIEW

Drummer George Schuller Talks about Lee Konitz

Read "Drummer George Schuller Talks about Lee Konitz" reviewed by Steve Provizer

George Schuller performed as percussionist with the recently deceased saxophonist Lee Konitz on and off since 1992. I covered one of their last jny: Boston concerts here. George has lived in Brooklyn since 1992 but is well-known in Boston. His father, Gunther Schuller, was a composer and musician of note and served as President of the New England Conservatory of Music from 1967-1977 and his brother Ed Schuller is an accomplished bassist. George is co-founder of the ensemble Orange Then ...

ALBUM REVIEW

George Schuller's Circle Wide: Listen Both Ways

Read "Listen Both Ways" reviewed by Troy Collins

Listen Both Ways is the first studio recording by drummer George Schuller's longstanding Circle Wide quintet to concentrate primarily on his original compositions. The group's previous Playscape releases, 2003's Round 'Bout Now and 2008's Like Before, Somewhat After, paid homage to the seminal efforts of famous post-war bandleaders--trumpeter Miles Davis' Second Great Quintet on the former and pianist Keith Jarrett's American Quartet on the latter.Six of the album's eight tunes are staples of the unit's live sets, with ...

INTERVIEW

George Schuller: Like Before, But Fresh

Read "George Schuller:  Like Before, But Fresh" reviewed by R.J. DeLuke

Throughout musical history, the influences of substantial artists, recorded works, or certain epochal periods, have their effect on contemporaries and ensuing generations. For those that make music, it shows up in their playing or composing. Tracking those influences, whether well-known sources or those under the radar, is not as important as the end result of an individual's statement.

Forward-thinking artists can find inventive ways of incorporating influences into personal statements. That's what Brooklyn-based drummer George Schuller ...

ALBUM REVIEW

George Schuller's Circle Wide: Like Before, Somewhat After

Read "Like Before, Somewhat After" reviewed by Karla Cornejo Villavicencio

This writer's familiarity with the physical concept known as dewpoint is as extensive as can be expected from someone who spent much of her science classes with a literary magazine hidden underneath her notebook. “Dewpoint," the appropriately titled opening track of the sophomore release of George Schuller's Circle Wide, is perhaps as elucidating as any semester-long course in conveying what it means to reaching a threshold of precise saturation, neither failing to live up to the bar set high nor ...

ALBUM REVIEW

George Schuller's Circle Wide: Like Before, Somewhat After

Read "Like Before, Somewhat After" reviewed by Nic Jones

"Dewpoint," the appropriately titled opening track of Like Before, Somewhat After, the sophomore release of George Schuller's work with Circle Wide, is perhaps as elucidating as any semester-long course in conveying what it means to reaching a threshold of precise saturation, neither failing to live up to the bar set high nor causing discomfort by reaching too high and producing a work of pretentious chaos.

“Dewpoint" is one of two original tracks on the record, the ...

ALBUM REVIEW

George Schuller's Circle Wide: Like Before, Somewhat After

Read "Like Before, Somewhat After" reviewed by John Sharpe

It's now some thirty-one years since the demise of Keith Jarrett's “American Quartet," uniting Ornette Coleman alumni Dewey Redman and Charlie Haden with former Bill Evans drummer Paul Motian. That group's masterpiece and effective swansong was Survivors' Suite (ECM, 1976), and so it is fitting that two sections are reprised on drummer/composer George Schuller's affectionate tribute to the band, alongside four other Jarret pieces and two originals.

It takes both the vibes of Tom Beckham and ...

ALBUM REVIEW

George Schuller's Circle Wide: Like Before, Somewhat After

Read "Like Before, Somewhat After" reviewed by John Kelman

Despite Keith Jarrett's ongoing success as a solo improviser and standards interpreter, many bemoan his decision to stop writing in the mid-1970s. Improvisation may be spontaneous composition but, with his 1970s American and Scandinavian Quartets, the pianist created a songbook that remains influential to this day. George Schuller's Round 'Bout Now (Playscape, 2004) was a thoroughly personal tribute to Miles Davis' transitional period of 1967-1969. Returning with Circle Wide for Like Before, Somewhat After, the drummer fashions an equally distinctive ...


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