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Jazz Articles about Willem De Koch
About Willem De Koch
Instrument: Trombone
Related Articles | Concerts | Albums | Photos | Similar ToTheo Bleckmann & The Westerlies: This Land
by Jerome Wilson
Given the state of the nation in 2021, it is no wonder that protest music has been springing up in all genres. This particular effort by vocalist Theo Bleckmann and the brass quartet the Westerlies mixes protest songs and hymns of the past with original compositions, to comment on various present-day problems. Issues touched on in these songs include war, bigotry, gun violence and economic inequality. Bleckmann's voice rings out as a powerful beacon supported by intricate quartet ...
read moreTheo Bleckmann & The Westerlies: This Land
by John Chacona
Could This Land, from Theo Bleckmann & The Westerlies be the first great musical declaration of the Biden Era? If so, it's probably an accident. When they tracked This Land in August 2019, Bleckmann and the brass quartet entered the studio with a program of protest songs. But in degree and kind, they are worlds away from the howling fervor of Moor Mother or the rousing call to the barricades of Gordon Grdina's Resist (Irabbagast Records, 2020), to ...
read moreThe Westerlies: Wherein Lies the Good
by Hrayr Attarian
The dynamic and inventive brass quartet The Westerlies explores an eclectic array of pieces on its third release, the mesmerizing Wherein Lies the Good. Consisting of four jazz-leaning horn players, the ensemble, in addition to interpreting delightful originals, delves into the modern classical, art-rock and folk repertoires. The album opens with trombonist Andy Clausen's mellifluous “Robert Henry." A hypnotic and effervescent tune that Clausen wrote for his nephew, it flows from one member to another with shimmering lines ...
read moreWayne Horvitz/The Royal Room Collective Music Ensemble: At The Reception, Wayne Horvitz: 55: Music And Dance In Concrete
by John Ephland
Wayne Horvitz is a musical universe unto himself. Has been for well over 35 years. And it's not just his stick-to-it-ive-ness that continues to make his music so damn engaging, a contrariness redefined. Consider these two recent releases as prime examples. The composer/bandleader/keyboardist (who turns 60 in 2015) has a musical history that just might grab you by the throat, if not coax you into some kind of mesmerizing trance. 55: Music And Dance In Concrete and At The Reception ...
read moreWayne Horvitz/The Royal Room Collective Music Ensemble: At The Reception
by Mark Corroto
Wayne Horvitz already has lovely. It's a tool he wields with ease in his music, be it in his Gravitas Quartet of piano/trumpet/cello/bassoon, his Sweeter Than The Day acoustic quartet or the electric Zony Mash. He even brought lovely to John Zorn's shocking Naked City bands of the 1990s. Horvitz has the ability to distill music, be it classical, jazz, film, or free, down to the essence of melody and harmony.He applies that lovely to his little big ...
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