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TAKE FIVE WITH...

Take Five with Florian Ross

Read "Take Five with Florian Ross" reviewed by Florian Ross

About Florian Ross: Born in 1972, Florian studied piano and composition in jny: Cologne, jny: London and New York. Since 1998 he has released 18 albums featuring both small and large ensembles and written over 350 commissioned compositions and arrangements for large jazz ensembles. He received the prestigious Thad Jones Composition Competition Award in 2000 and the WDR Jazz Composition prize in 2006. His commissioned works include pieces for the German NDR and WDR big bands, the Netherlands ...

ALBUM REVIEW

Florian Ross Trio: Pigs & Fairies

Read "Pigs & Fairies" reviewed by Jack Bowers

As a composer, German-born pianist Florian Ross seldom strays from the musical basics: melody, harmony, rhythm. As a performer, however, he uses those same basics to fashion a broad palette of sound, coming at the listener from a variety of routes and angles cannily designed to deepen an over-all mood of singularity and anticipation. On Pigs & Fairies, his fourteenth recording since 1998 and third as leader of his trio, Ross uses every weapon at his disposal, ...

ALBUM REVIEW

Florian Ross Quintet: Lines & Crosscurrents

Read "Lines & Crosscurrents" reviewed by Jack Bowers

Although you'd be hard-pressed to pick Florian Ross' quintet out of a lineup, the German-based helmsman wrests as much color and contrast as can be envisioned from a group that includes himself on piano or synthesizer, Markus Segschneider on pedal steel guitar and Niels Klein on clarinet, bass clarinet or tenor sax. If the music on Lines & Crosscurrents veers at times toward smooth jazz, it never quite crosses that line, thanks mostly to Ross's perceptive charts and the quintet's ...

ALBUM REVIEW

Florian Ross: Front Room Songs

Read "Front Room Songs" reviewed by Dan Bilawsky

The use of overdubs isn't really the norm on jazz recordings, but it is an accepted practice. Very often it can simply involve a horn player adding a line here or there, providing some finishing touches to music that was mostly-done already, but every now and then it goes well beyond that point. Piano legend Bill Evans, for example, charted a new course when he delivered Conversations With Myself (Verve, 1963), which featured Evans atop Evans on record.

ALBUM REVIEW

Florian Ross Big Company: Ties & Loose Ends

Read "Ties & Loose Ends" reviewed by Jack Bowers

The late pitcher Satchel Paige once offered this sound advice: “Never look over your shoulder; someone may be gaining on you." Nowadays, those who seem to be gaining the most ground when it comes to big-band jazz are Europeans and Asians who've been listening closely to and learning from their peers in the States and using that knowledge to build a better mouse trap, so to speak. Composer / arranger Florian Ross, based in Cologne, Germany, had been writing and ...

BAILEY'S BUNDLES

The Little and Big of Florian Ross

Read "The Little and Big of Florian Ross" reviewed by C. Michael Bailey

German pianist/composer Florian Ross has been making provocative music since his early Naxos Jazz recordings. He is a rolling stone, moving from one format to the next, always bringing something new and leaving something newer. Florian Ross Elektrio Wheels and Wires Fuhrwerk- Musik 2013 The organ trio, specifically that of the organ-guitar-drums variety, has proven to be as durable an instrument format as it has a fertile ground from the whole ...

ALBUM REVIEW

Florian Ross: Mechanism

Read "Mechanism" reviewed by C. Michael Bailey

Florian Ross has been a contributing member of the international jazz community since 1998, when he released three provocative discs on the Naxos Jazz label (Seasons and Places (1998), Suite for Soprano Sax and String Orchestra (1999), and Lilacs and Laughter (2000)) that showed the German pianist/composer as a composer of great depth and breadth. A decade and several recordings later, Ross has made his way to perhaps his best-suited label, Pirouet. Mechanism is a solo piano recording that occasionally ...


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