Articles

Daily articles carefully curated by the All About Jazz staff. Read our popular and future articles.

ALBUM REVIEW

Hadley Caliman and Pete Christlieb: Reunion

Read "Reunion" reviewed by C. Michael Bailey

Both Hadley Caliman and Pete Christlieb were active on Los Angeles jazz scene going on 50 years ago, and the two tenor saxophonists actually performed together at the time. Real life got in the way, guiding each man in his allotted direction. Origin Records' house pianist (and All About Jazz Contributor) Bill Anschell brought the two together for Reunion, composing a good old fashioned cooker to open the disc. “Little Dex" (after Dexter Gordon) is thus titled ...

ALBUM REVIEW

Hadley Caliman / Pete Christlieb: Reunion

Read "Reunion" reviewed by Dan McClenaghan

Reunion showcases a couple of old saxophone pros diving deep into the jazz mainstream, backed by an energized rhythm section. Tenor men Hadley Caliman and Pete Christlieb worked together on the Los Angeles Central Avenue jazz scene back in the 1960s, at a club called Marty's, where Caliman was the mentor. Forty-plus years later, they're back together again, on an absolute jewel of a straight-ahead offering.Caliman's recording career went dormant for thirty years--a drug problem, jail time, rehabilitation, ...

PROFILE

Hadley Caliman

Read "Hadley Caliman" reviewed by Thomas Conrad

If you have followed jazz long enough, you probably know the name Hadley Caliman. He was around in the '60s and '70s, on albums by people like Gerald Wilson, Don Ellis, Freddie Hubbard, Joe Henderson and Bobby Hutcherson. He made four records of his own for Mainstream and Catalyst, collectors' items now. Rock fans of a certain age also might remember Caliman. He played on two Santana albums 38 years ago: Caravanserai and Carlos Santana & Buddy Miles Live!.

ALBUM REVIEW

Hadley Caliman: Straight Ahead

Read "Straight Ahead" reviewed by C. Michael Bailey

The most appealing thing about Hadley Caliman, save for his very eloquent name, is his equally eloquent and understated tenor saxophone playing. Firmly in a post-Coltrane context, Caliman plays a virile and muscular tenor saxophone whose tone compels because of its carefully crafted rough edges. Straight Ahead follows up his 2008 Origin release Gratitude.

Caliman joins a ratified group of Left Coast jazz musicians who interrupted their careers, including Art Pepper, Frank Morgan, Ed Reed, and Dexter Gordon ...

ALBUM REVIEW

Hadley Caliman: Straight Ahead

Read "Straight Ahead" reviewed by Dan McClenaghan

Seattle-based tenor saxophonist, Hadley Caliman took a thirty year hiatus from recording before he released Gratitude (Origin Records, 2008). It was an exceptional mainstream set that displayed Caliman's John Coltrane, Dexter Gordon, and Joe Henderson influences, in hints and brief whispers, and reintroduced the saxophonist's own distinctive, full-of-life voicings.With Straight Ahead, he steps out further into that territory, with a group of Origin Records all-stars on board to give a modern tinge to a tried-and-true format.The ...

ALBUM REVIEW

Hadley Caliman: Straight Ahead

Read "Straight Ahead" reviewed by John Barron

Seattle-based saxophonist Hadley Caliman returns to the recording studio with his working band for Straight Ahead, the follow-up to his superb Gratitude (Origin, 2008). Aided by trumpeter/producer Thomas Marriott, pianist Eric Verlinde, bassist Phil Sparks and drummer Matt Jorgensen, the 78-year old Caliman charges head-on through a set of standards, jazz classics and original gems. The disc opens with the listener-friendly “Cigar Eddie," an old school boogaloo--Caliman wrote the tune in the 1960s while living in Los Angeles--with ...

ALBUM REVIEW

Hadley Caliman: Gratitude

Read "Gratitude" reviewed by John Barron

Legendary west coast saxophonist Hadley Caliman made his mark by touring and recording with the likes of Freddie Hubbard, Joe Henderson, Bobby Hutcherson and Santana. For Gratitude, his first recording as a leader in three decades, Caliman is joined by vibraphonist Joe Locke, bassist Phil Sparks, drummer Joe LaBarbera and trumpeter Thomas Marriott, who also produced the recording.

The disc opens with Marriott's “Back For More," a 6/8 minor blues. The simplistic, captivating theme and energetic groove sets the stage ...


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