Articles

Paolo Fresu And Uri Caine At Folk Club

by Carlo Mogavero
November 29, 2019

Uri Caine: Gershwin Rhapsody in Blue

by C. Michael Bailey
March 2, 2014

What is to become of the Great American Songbook, that cultural document that served as scripture to the jazz community for the better part of the Twentieth Century? Today, what we think of as jazz has flown so far and wide that it's definition encompasses everything from Craig Taborn's Chants to Robert Glasper's Black Radio and Black Radio 2. While rightly called jazz, these examples are the keepers of no flame, rather they are the new flame burning the way ...

Wagner e Venezia

by C. Michael Bailey
March 2, 2014

Released in 1997, the Uri Caine Ensemble's Wagner e Venezia somehow evaded proper consideration within the electrons of All About Jazz. No more. Caine and his unique brand of interpretation has long been well-regarded at the magazine. Wagner e Venezia is one of the pinnacles among pinnacles from the pianist/composer's early output. Wagner e Venezia is Caine's third release on the Winter & Winter label and the first where he used classical music as his creative jumping-off point. The following ...

Uri Caine Trio: Siren

by Dan Bilawsky
October 8, 2011

Pianist Uri Caine holds a unique distinction, known the world over as a stellar jazz pianist, but a critics' darling for his genre-blind reworkings of classical music. His takes on the work of Gustav Mahler, Johann Sebastian Bach, Wolfgang Amadeus Mozart and Richard Wagner have become modern classics which straddle several musical worlds, but Caine's is no one-trick pony. When he isn't busy turning classical music history on its head, his restless artistic curiosity has taken him to a variety ...

Uri Caine Trio: Siren

by Troy Collins
October 3, 2011

Siren is the first studio recording to feature pianist Uri Caine leading a traditional acoustic trio since 1998's Blue Wail (Winter & Winter). Since then, most of Caine's albums have alternated between radical reinterpretations of the work of revered classical composers like Beethoven, Mozart and Schummann, and the heavily amplified funk excursions of his Bedrock trio with bassist Tim Lefebvre and drummer Zach Danziger. Stripped down to their basic foundations however, most of Caine's efforts typically revolve around the classic ...

Uri Caine Ensemble: The Othello Syndrome

by Martin Longley
February 16, 2009

Addressing the output of classical composers seems eventually to have become the dominant thrust of keyboardist Uri Caine's work. Schumann, Wagner, Bach, Beethoven and Mahler have fallen to sometimes radical re-posturing of their grand scores. Caine messes with the old assumed interpretations, deliberately distorting the usual expectations of performance by inserting elements of jazz, rock, funk, soul, blues, hip hop and electronica, always utilizing a cast of players from a broad range of backgrounds. Now, it's a ...

The Uri Caine Ensemble: The Othello Syndrome

by C. Michael Bailey
August 29, 2008

Uri Caine, in his own unique way, surveyed music from the Classical era with The Classical Variations (Winter & Winter, 2008) and The Plays Mozart (Winter & Winter, 2007). Caine moves both forward to Late Romantic Opera and back, picking up from Wagner in Venezia (Winter & Winter, 1997), with The Othello Syndrome. The disc title is a play on two things: the Giuseppe Verdi Opera Othello (1887) and the common name for delusional jealousy, both after the Shakespeare protagonist. ...