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Daily articles carefully curated by the All About Jazz staff. Read our popular and future articles.

ALBUM REVIEW

Stefano Battaglia: Pelagos

Read "Pelagos" reviewed by Dan McClenaghan

Italian pianist Stefano Battaglia, an ECM artist since 2005, is a player possessed of an alluring refinement and polish carried over into his jazz work via his classical training. His best recordings, 2015's In the Morning (ECM Records) and River Of Anyder (ECM Records, 2011), are studies intricate and understated beauty. Both are piano trio outings--a format that suits Battaglia's approach, as does going it alone, his mode on Pelagos. Pelagos is Battaglia's journey into solo piano, enhanced ...

ALBUM REVIEW

Stefano Battaglia: Pelagos

Read "Pelagos" reviewed by Karl Ackermann

Stefano Battaglia has a ten-plus year history on the ECM label where he has covered much ground in terms of formations, style and genre. The effort has not always paid off. His label debut Raccolto (2005) was a meandering affair that squandered the opportunities that come with two-discs of music. All of Battaglia's considerable talents were on display, they just didn't quite find a landing site. The pianist's follow up Re: Pasolini (2007) was the beginning of a developmental breakthrough; ...

ALBUM REVIEW

Stefano Battaglia Trio: In The Morning

Read "In The Morning" reviewed by Mark Sullivan

Italian pianist Stefano Battaglia and his trio present a program with a special thematic focus: all of the music was written by American composer Alec Wilder. Wilder is best known for his popular songs (recorded by Frank Sinatra, Peggy Lee, the Mills Brothers and others), but he also composed in many other genres--including art songs, orchestral music, chamber music, film music, musicals, and opera. And he wrote the influential book American Popular Song: The Great Innovators (1900-1950) about the classic ...

ALBUM REVIEW

Stefano Battaglia Trio: In The Morning

Read "In The Morning" reviewed by Karl Ackermann

Over the past five years Stefano Battaglia could have easily taken bassist Salvatore Maiore and drummer Roberto Dani into the ubiquitous realm of classically trained piano trios, where improvisation, chamber and dark lyricism meet but rarely ignite. But along with his classical training and an established ear for free jazz, hard bop and mainstream, Battaglia has grown and capitalized on those collective skills. The Milan, Italy native has increasingly chosen an open mind and ear, an affinity for spontaneity, and ...

ALBUM REVIEW

Stefano Battaglia Trio: Songways

Read "Songways" reviewed by John Kelman

Since his relationship with ECM began in 2003, Stefano Battaglia has been consistent in his use of different constellations for each recording, from 2006's double-disc Raccolto, where the Italian pianist worked with two different trios, and 2007's Re: Pasolini, another two-CD set where one employed a more broadly defined sextet and the other a string-centric quintet, to the vulnerable duo of 2010's Pastorale, with percussionist and electronic manipulator Michele Rabbia--a largely constant companion throughout these three recordings. Battaglia's reliance on ...

ALBUM REVIEW

Stefano Battaglia Trio: The River of Anyder

Read "The River of Anyder" reviewed by John Kelman

After three ECM recordings that finally brought greater international attention to the eclectic breadth of Stefano Battaglia's nearly two-decade career, the Italian pianist turns to a format steeped in jazz orthodoxy for The River of Anyder . But those familiar with his career, if only his ECM dates--the freer terrain explored with two trios on Raccolto (2006); paying tribute to the multi-disciplinary Pier Paolo Pasolini with two discs of more structured music for quintet and sextet on Re: Pasolini (2007); ...

ALBUM REVIEW

Stefano Battaglia / Michele Rabbia: Pastorale

Read "Pastorale" reviewed by John Kelman

In many ways, Italian piano explorer Stefano Battaglia's work with the German ECM label--beginning with the opaque beauty and greater extremes of 2006's Raccolto, and continuing with 2007's more ambitious and stylistically far-reaching Re: Pasolini--has been leading to this. Pastorale, unlike those previous releases, is a single disc, pared down in other ways as well. Instead of the trios on Raccolto and quintet/sextet of Pasolini, here Battaglia is back with only his longstanding percussionist, Michele Rabbia. The inherent flexibility and ...


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