Jazz Articles about Tarus Mateen

Jason Moran: From the Dancehall to the Battlefield

by Neri Pollastri
December 11, 2023

Uscito il primo gennaio 2023 su Bandcamp, questo album di Jason Moran, per il suo concept, per la varietà e la ricchezza, per il modo in cui fonde radici storiche e modernità è probabilmente da considerare il disco dell'anno. Il suggestivo titolo From the Dancehall to the Battlefield sintetizza la storia del mitico musicista a cui è dedicato: James Reese Europe, compositore, arrangiatore e direttore d'orchestra nero, nato a Mobile, in Alabama, nel 1881, e trasferitosi prima a ...

Jason Moran: Ten

by AAJ Italy Staff
April 4, 2011

Dieci anni di vita per Bandwagon, il trio guidato dal pianista Jason Moran con il bassista Tarus Mateen e il batterista Nasheet Waits. Giusto celebrarne la coesione espressiva e l'efficacissima capacità di sintesi che ha dimostrato in questo decennio di dischi e concerti, gettando in un certo senso un ponte - di magistrale architettura - tra tradizione e nuove creatività urbane, mostrando con naturalezza come il dialogo tra il jazz e l'elettronica, la scrittura contemporanea, l'hip-hop e le altre discipline ...

Jason Moran: Ten

by William Carey
June 16, 2010

Jason MoranTenBlue Note Records2010

Ten celebrates the ten year life of the Bandwagon, pianist Jason Moran's trio with bassist Tarus Mateen and drummer Nasheet Waits. The piano trio is a mainstay in the jazz tradition, and here the Bandwagon does a characteristically great job of being firmly in that tradition while also blazing a new trail.

“Blue Blocks" starts with a descending motif, planing chords in a gravitational freefall, the hint of ...

Jason Moran: Ten

by David Adler
June 12, 2010

Pianist Jason Moran offers Ten, to mark a decade with the Bandwagon, his trio with bassist Tarus Mateen and drummer Nasheet Waits, and it's an anniversary worth celebrating. But Ten is also Moran's first release since Artist In Residence (Blue Note, 2006), so it affords him the opportunity to include pieces from long-form commissioned works he's written since then. The loping, gospel-tinged “Blue Blocks" is from a multimedia suite inspired by the quilt makers of Gee's Bend, Alabama. “RFK in ...

Jason Moran: Same Mother

by Mark Sabbatini
February 12, 2005

Jason Moran is among a handful of modern pianists whose work often demands a listen as soon as it's released, since most other players will be trying to imitate it tomorrow. He doesn't quite meet those expectations on Same Mother, an album heavy on blues and soundtrack elements that represents his sixth project as a leader. Partially this is his emphasis on a classic down-home Texas feel, but there's also a sense of a highly tuned engine coasting at a ...

Jason Moran: Same Mother

by John Kelman
February 11, 2005

Contrary to popular opinion, the blues transcends structured musical form. Rather, it is a feeling that imbues, a deep and dark sense of despair that pervades. Regardless of the context, there was always something distinctly blue about the way Miles Davis approached every phrase. Similarly, while his music in no way relates to conventional blues form, Polish trumpeter Tomasz Stanko's work has a certain melancholy that gives it a distinctly blue feeling. All that just goes to show that, contrary ...

Jason Moran: Same Mother

by Mark F. Turner
February 4, 2005

Jason Moran and his Bandwagon (bassist Tarus Mateen, drummer Nasheet Waits, and newcomer guitarist Marvin Sewell) speak the blues in fine jazz form on their new adventure, Same Mother. The title comes from a comment Moran's wife made in a discussion about tap dancer Savion Glover which states “...that jazz movement and blues movement in dance both came from the same mother."

Though progressive, Moran's playing has always been grounded in the fertile roots of both idioms. Always ripe with ...