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Ray Anderson / Han Bennink / Christy Doran: ABD

Read "ABD" reviewed by Troy Collins

The international collaborative trio of American trombonist Ray Anderson, Dutch drummer Han Bennink and Irish guitarist Christy Doran recorded two adventurous albums for hatART in the mid-1990s; Azurety was released in 1994 and Cheer Up arrived the following year. ABD collects the strongest tracks from these two sessions onto one disc, providing a valuable opportunity to re-examine the creative spontaneity these three artists share.Though the compilation's ten selections are wildly eclectic--one of Doran's progressive numbers sits precariously alongside ...

ALBUM REVIEWS

Ray Anderson / Han Bennink / Christy Doran: A B D

Read "A B D" reviewed by Glenn Astarita

In the '90s, this trio ascended to the upper echelon of all things considered cutting-edge in the wide open world of jazz and improvisation. This reissue is a compilation featuring all of Azurety (hatART, 1994) and three tracks culled from Cheer Up (hatART, 1995). Other than his superior improvisational faculties, Irish guitarist Christy Doran could give most metal or jazz-fusion guitarists a run for their money. The album boasts a consortium of jazz-blues overtones; tenacious three-way dialogues; free-form ...

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Ray Anderson - Marty Ehrlich Quartet: Hear You Say

Read "Hear You Say" reviewed by Bruce Lindsay

Trombonist Ray Anderson and reed player Marty Ehrlich first played together in 1978 as part of Anthony Braxton's band. Thirty-one years later, with extensive individual discographies, the pair finally formed a band of their own and recorded a concert at the 2009 Jazz Festival Willisau, in Switzerland. Hear You Say is this recording--a highly energetic, exciting, adventurous live performance. The two leaders share writing credit--four tunes by Ehrlich and three from Anderson. Both men are inspired writers ...

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Ray Anderson

Read "Ray Anderson" reviewed by Martin Longley

The trombonist Ray Anderson inhabits two simultaneous worlds. He's dedicated to exploring new vocabularies at the furthest reaches of what folks call jazz music, making his initial mark with fellow Chicagoan Anthony Braxton in the late '70s. He's also deeply attuned to the New Orleans roots of the music, reveling in the very vocal nature of his horn and employing a rowdy repertoire of singing, droning and mute-manipulations, combining into a language that is at once comic and experimental. Here, ...

ALBUM REVIEWS

Ibrahim Electric, Ray Anderson: Ibrahim Electric Meets Ray Anderson Again

Read "Ibrahim Electric Meets Ray Anderson Again" reviewed by Laurel Gross

Ray Anderson can make a trombone sound like a hive of bees or just about anything else. That means he's a good match for Ibrahim Electric's Ibrahim Electric Meets Ray Anderson Again, recorded live at Copenhagen's JazzHouse and Pakhuset in ?rhus in February 2007, the second meeting between these two forces of nature. This group is all about fun, funk and a few other things: a popular 1960s party groove meets jazz improv, blues and rocking riffs ...

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Ray Anderson: Bonemeal

Read "Bonemeal" reviewed by C. Michael Bailey

The trombone with a wicked sense of humor.

Bonemeal is clever take off manifested as several allusions. Bone is a nom de plume of the trombone, Ray Anderson's weapon of choice. Bonemeal evokes earthy sensual images in the same way “Cornbread" (Lee Morgan), “Pass the Peas" (Maceo Parker) and “Chitlins Con Carne" (Kenny Burrell). It has a tongue-in-cheek wryness characteristic of its leader, Anderson. Anderson appears with his guitar-based rhythm section at a Paula Jean's Supper Club in East Setauket, ...

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Ray Anderson - Pocket Brass Band: Where Home Is

Read "Where Home Is" reviewed by Glenn Astarita

Few will deny Ray Anderson’s estimable stature as an innovative stylist not to mention one of the finest all around trombonists in the world. Anderson is equally at home whether improvising with modernist Anthony Braxton, leading big bands, splitting hairs with guitarist Christy Doran and renowned Dutch drummer Han Bennink or exploring the outer limits of his instrument while performing with the “BassDrumBone” trio. Yet Anderson also enjoys delving into some straight ahead jazz, funk and R&B from time to ...

ALBUM REVIEWS

Ray Anderson & Brande Intl. Music Workshop Orchestra: BIMWO Swing

Read "BIMWO Swing" reviewed by Glenn Astarita

Recorded Live at the Copenhagen Jazzhouse, BIMWO (Brande International Music Workshop Orchestra) Swing features the trombone talents of the great Chicago born Ray Anderson who also conducted and composed these pieces. Here, twenty Conservatory trained musicians from all over the globe perform under the direction of the estimable Mr. Anderson.

For the most part, this recording works; however, some of the featured soloist’s sound tentative in spots as in Anderson’s composition “Leo’s Place” which was originally featured on Anderson’s excellent ...


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