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Jazz Articles about Matthew Sheens
Kolotov Mocktails: Ivy Hall
by Jack Bowers
Setting aside the issue of genres (jazz, folk, Americana, funk, R&B, country, whatever), the question becomes: on their debut album, Ivy Hall, does the Tennessee-based and curiously named quartet, Kolotov Mocktails, deliver the goods? And the answer has to be yes, they do. This leads to a second question: is what they are doing jazz? And here the answer is less obvious. Certainly, there are elements of jazz in the form of improvisation and rhythmic patterns, but they are sporadic ...
read moreJohn Lang: Now Ear This
by Jack Bowers
For what it is, bassist John Lang's fourth album, Now Ear This, is quite well done. For jazz fans, the dilemma lies there, precisely in what it is--a series of eleven rock/fusion themes, nine written by Lang, which would be right at home on a smooth jazz/easy listening radio station, for example, but whose jazz content would earn them no more than a tenuous place on any playlist beyond that. Tempos are more or less proximate, as is the steady ...
read moreRoss McHenry: Nothing Remains Unchanged
by Troy Dostert
Electric bassist Ross McHenry has been a highly-regarded presence in the Australian jazz scene since the release of his 2013 debut record, Distant Oceans (First Word Records). His recognition outside of his home country has been limited, although that may change with his 2020 release, Nothing Remains Unchanged. Eschewing some of his larger-ensemble tendencies for a pared-down quartet concept, this album sees McHenry honing his melodic instincts and creating an infectious chemistry with some new colleagues. On his ...
read moreClouds and Stormy Nights: A New Pair from QFTF
by Geno Thackara
Germany's growing QFTF label remains ambitious as ever as 2016 draws to a close, showcasing two young off-the-beaten-path bandleaders with their own ideas of the directions modern jazz might take. With some fairly offbeat feels for melody, the pair manage to serve as two sides of the same semi-abstract coin. Matthew Sheens Cloud Appreciation Day QFTF 2016 It eases in with an almost stately air, then abruptly breaks into rhythmic careening like lightning ...
read moreMatthew Sheens: Untranslatable
by Ian Patterson
With his impressive debut Every Eight Seconds (Self Produced, 2012) garnering universally positive reviews, Australian-born, New York-based pianist Matthew Sheens returns with an even meatier, juicier follow-up. Every Eight Seconds introduced an original composer, one whose melodic and rhythmic ideas championed narrative over virtuosity. There's perhaps more of Sheens the Downbeat poll-winning pianist this time out but significantly Untranslatable ups the ante compositionally, with the Yanni Burton String Quartet leaving an indelible stamp on a third of the tracks.
read moreMatthew Sheens: Every Eight Seconds
by Dan Bilawsky
In 2009, pianist Matthew Sheens became the first Australian to win a Downbeat Magazine Student Award, but that's hardly the only honor that's been bestowed upon this gifted musician. Sheens has been racking up grants, scholarships and awards at a rapid pace, as he moved from the University of Adelaide, where he completed his undergraduate work in 2008, to the New England Conservatory of Music, to pursue a Masters in Jazz Performance, to New York City, where he has resided ...
read moreMatthew Sheens: Every Eight Seconds
by Ian Patterson
Debut recordings can sometimes suffer from a little too much subservience to the jazz cannon, as musicians perhaps wish to stamp their jazz credentials from the get go, or as is the case with Australian-born, New York-based pianist Matthew Sheens' Every Eight Seconds they can announce a refreshingly personal voice. Sheen--a former student of pianists Fred Hersch and Jason Moran--exhibits a flair for melody and a broad vocabulary that leans towards the contemporary. There's also strong rhythmic heart, both in ...
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