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Daily articles carefully curated by the All About Jazz staff. Read our popular and future articles.

ALBUM REVIEW

Mose Allison: Mose Allison: American Legend in California

Read "Mose Allison: American Legend in California" reviewed by C. Michael Bailey

Tippo, Mississippi is about as far from Charleston as it is Tutwiler, the two county seats of Tallahatchie County, located on the northeastern edge of the alluvial Delta plain, before the land turns to rolling hills. There lives in Tippo, an Allison family, who thirty years ago were patients of mine when I was practicing pharmacy while attending graduate school. That is Allison...as in, Mose Allison. I Mose Allison's mother and brother frequently during the 10 years I kicked around ...

INTERVIEW

Mose Allison: Back in the (Studio) Saddle

Read "Mose Allison: Back in the (Studio) Saddle" reviewed by R.J. DeLuke

Mose Allison, the singer/songwriter blues/jazz man from the Mississippi Delta, has reached the age of 82. He's packed into that lifetime some 60 years in the music business and on the road. He's still playing more than 100 club and concert dates a year, from New York to California, across the pond in England and elsewhere.He's recorded steadily during those years, his albums all well received in the jazz community by critics and fans alike. But over the ...

PROFILE

A Modest Proposal: Joe Henry's Letter-Writing Campaign Results in Mose Allison's First Record in 12 years

Read "A Modest Proposal: Joe Henry's Letter-Writing Campaign Results in Mose Allison's First Record in 12 years" reviewed by Jeff Vrabel

Joe Henry's strategy for coaxing Mose Allison back to the studio for the first time in twelve years was simple enough: All he had to do was quietly and thoughtfully stalk the jazz icon for a year.

“He kept at it, and kept calling me and emailing and so forth," the 82-year-old Allison said of the courting process by Henry, who received two Grammy nominations this month for his production on Allen Toussaint's The Bright Mississippi and Ramblin' Jack Elliott's ...

LIVE REVIEW

Mose Allison at Nighttown

Read "Mose Allison at Nighttown" reviewed by Matt Marshall

Nighttown Cleveland Heights, Ohio August 29, 2009

Mose Allison sings for survivors. He always has. He sings easy, buoyant blues in a lackadaisical style. His voice, while rubbed at the edges from more than 50 years on the road, is still crisp with vaudevillian nonchalance. He accompanies himself with confident, insistent piano vamps drawn as much from Wagner as Waller, and his solos are constantly inventive and invigorating while never straying from the familiar. Moreover, ...

ALBUM REVIEW

Mose Allison: Mose Allison Sings

Read "Mose Allison Sings" reviewed by Riel Lazarus

Working through Prestige Records' reissue of Mose Allison Sings, the challenge arises of describing the pianist/vocalist's unique sound. The salty-sweet taste of butter and jam on toast is at once an unspectacular metaphor and right on the mark. Allison's music is a delicious blend of tart and tang, as enjoyable in the morning as it is a late-night snack, simple yet significant, unassuming and infectious. His style is indelibly his own, residing somewhere between the Delta blues ...

ALBUM REVIEW

Mose Allison: Mose Allison Sings

Read "Mose Allison Sings" reviewed by Jim Santella

There's nobody else quite like Mose Allison. Try to think of a musician who even comes close. He's so unique that we all know from the very start who we're listening to. And nobody else can fill that niche. But Allison didn't start out as a singer. He was Stan Getz's pianist in 1956-57, and he began recording for Prestige as a pianist who also played trumpet in 1957. His piano trio did bebop instrumentals, and Allison added an occasional ...

ALBUM REVIEW

Mose Allison: Mose Allison Sings

Read "Mose Allison Sings" reviewed by Victor Verney

At first glance, Mose Allison Sings might seem to be just another reissued jazz recording from the 1950s. Like most CDs of this ilk, it has been digitally remastered and has additional “bonus" tracks now possible without the space limitations of vinyl records.

A cynic might use the term “old wine in new bottles" to characterize many of these reissues. There are exceptions, of course, and this album is one. The most compelling reason to reexamine an old album stems ...


ENGAGE

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