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LIVE REVIEWS

Live From Brussels: Orchestre Philharmonique Royal de Liège, Sal La Rocca, Igor Gehenot, Diederniko Kummsels & Makas

Read "Live From Brussels: Orchestre Philharmonique Royal de Liège, Sal La Rocca, Igor Gehenot, Diederniko Kummsels & Makas" reviewed by Martin Longley

Orchestre Philharmonique Royal de Liège Bozar January 9, 2019 Much of this evening's programme featured compositions that are probably of interest to jazzers, particularly with the presence of George Gershwin and Leonard Bernstein, although Aaron Copland and Samuel Barber will doubtless have more crossover appeal than most composers. There was even a rock'n'roll frisson to this night, as acts such as ELP, Tom Waits and Alice Cooper have successfully mauled this raw matter. There ...

ALBUM REVIEWS

Sal La Rocca: SHIFTED

Read "SHIFTED" reviewed by James Fleming

The saxophone lines snake out of the speakers, rustling the airwaves like a breeze through firs or singing with all the lyricism of the finest vocalist. The double bass's hardwood lays a strong foundation. The electricity of the Wurlitzer piano growls atop that age-old sound, like a lightning storm rolling over treetops. Sal La Rocca's Shifted melds the gentleness of a forest with all the freedom of its animals. The sounds can roam uninhibited and wild. But they all play ...

TAKE FIVE WITH...

Take Five With Sal La Rocca

Read "Take Five With Sal La Rocca" reviewed by Sal La Rocca

Meet Sal La Rocca: Sal La Rocca discovered jazz in the early '80s, and switched to double-bass, which he intensively explored on his own, taking Paul Chambers as a model. Instrument(s): Doubl-bass, electric bass, guitar. Teachers and/or influences? Paul Chambers, Sam Jones, Charles Mingus, Scott LaFaro. I knew I wanted to be a musician when... when i was 12 years old. Your sound and ...


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