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Jazz Articles about Tom Chang

3
Album Review

Tom Chang: Tongue and Groove

Read "Tongue and Groove" reviewed by Vincenzo Roggero


L'incontro tra musica indiana e musica improvvisata è da qualche anno una presenza tutt'altro che sporadica nelle vicende jazzistiche grazie anche all'affermarsi di una schiera di musicisti di primo piano quali Rudresh Mahanthappa, Rez Abbasi, Vijay Iyer e alle loro differenti visioni espressive. Il chitarrista di origine coreana Tom Chang si aggiunge alla schiera con la pubblicazione di Tongue & Groove, album di debutto nel quale si circonda di eccellenti musicisti statunitensi e di due interpreti della musica carnatica tra ...

11
Album Review

Tom Chang: Tongue and Groove

Read "Tongue and Groove" reviewed by Mark F. Turner


It's a natural extension of New York guitarist Tom Chang's repertoire to combine heavy metal with jazz improvisation in “Spinal Tap/Goes to 11" the opening track of his release Tongue and Groove. Born in South Korea, he moved to Canada with formative teen years listening to rock icons like Joni Mitchell and Led Zeppelin. What comes as an added surprise in this noteworthy release is the fluency that Chang displays in blending not only a jazz-rock aesthetic but also a ...

5
Album Review

Tom Chang: Tongue and Groove

Read "Tongue and Groove" reviewed by Mark Corroto


When did the ultimate compliment for a jazz performance switch from “you swing, cat" to “you rock, dude"? Perhaps it happened after a generation of jazz artists raised on rock-n-roll found their way into improvisation and the latitudes of expression that jazz enable. Case in point is Tongue And Groove by guitarist Tom Chang. Raised on the music of Jeff Beck, Jimi Hendrix, and Jimmy Page, his soul was imprinted with their spirit as he applied his guitar ...

12
Album Review

Tom Chang: Tongue and Groove

Read "Tongue and Groove" reviewed by Dave Wayne


Look at the lineup on Tom Chang's Tongue & Groove! There is literally no way that this album could be anything less than great. Listening, repeatedly, to Tongue & Groove has, in fact, borne this out. Chang utilizes the increasingly popular two-reeds / bass / drums configuration to frame brief, but consistently spectacular, improvisations in the midst of his surprisingly knotty and complex multi-sectioned compositions. Everyone rises to the occasion here because the only way to play Chang's cutting edge ...


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