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Jazz Articles about Christian Lillinger
About Christian Lillinger
Instrument: Drums
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by Glenn Astarita
This album features a collaboration between Gordon Grdina on guitar and MIDI-guitar, and Christian Lillinger on drums. The project highlights their combined efforts in composition and improvisation, with most pieces jointly composed by Grdina and Lillinger, except for tracks 1, 5, 8, and 12, credited to Grdina alone. This is an enthralling exploration of sound and collaboration. It opens with the cacophonous track Song One" setting the tone for the entire recording. Grdina's use of MIDI guitar adds ...
read moreGrdina/Lillinger: Duo Work
by Troy Dostert
One would be hard-pressed to find a more versatile guitarist than Gordon Grdina, who somehow manages to try something different with each release. And he is no slouch in terms of productivity either; with at least a dozen releases since 2020, this is an artist who requires multiple palettes. His sensitivity on the oud is one of his most remarkable traits; witness his superb playing on the Persian-inspired The Marrow (Attaboygirl Records, 2024) with vocalist Fathieh Honari as proof. As ...
read moreNew Old Luten Trio: Trident Juncture
by Glenn Astarita
In 2023, the New Old Luten Trio album on Euphorium Records featured, albeit posthumously, the legendary Ernst-Ludwig Petrowsky who was Germany's answer to the avant-garde saxophone. Known affectionately as Luten Petrowsky, his reeds here join forces with Elan Pauer on piano and Christian Lillinger's drumming wizardry. This near hour-long extravaganza, recorded back in 2016, at Leipzig's naTo, is not just music; it is a spirited rendezvous of improvisation--a testament to a decade of the trio's synergy. Hence, a musical homage ...
read moreGrdina Maneri Lillinger: Live at the Armoury
by Doug Collette
In recent years, Gordon Grdina has proved himself to be as passionate as he is prolific, not to mention versatile. Further affirmation aplenty of all those virtues, the forty-five minutes of Live At The Armoury stand as a showcase not only for the Canadian's adept management of shared moments of spontaneity, but also for that of his collaborators. During these kinetic interactions between Grdina and his two kindred spirits, viola player Mat Maneri and drummer Christian Lillinger, the ...
read moreEuphorium_freakestra: Free Acoustic Supergroup
by Mark Corroto
Thanks to pianist and director Oliver Schwerdt, the Euphorium_freakestra is and always has been a glorious experiment in organized disorganization. The double CD Free Acoustic Supergroup is the ensemble's seventh release. Schwerdt's experiments began with the single disc Ðal Ngai (Euphorium Records, 2004) and eventually the group's 3-CD Grande Casino (Euphorium Records, 2018). Ðal Ngai included the guest artists Friedrich Schenker and Günter Baby Sommer. Other releases found the ensemble hosting musicians such as Thomas Lehn, Barry Guy, and Bertrand ...
read morePunkt. Vrt. Plastik: Zurich Concert
by John Sharpe
Over the course of the five years since its inception, Punkt. Vrt. Plastik, the trio of Slovenian pianist Kaja Draksler, Swedish bassist Petter Eldh and German drummer Christian Lillinger, has become one of the premier bands on the European circuit. Definitive proof arrives in the shape of Zurich Concert, the threesome's third album, recorded at the 2021 unerhört!-Festival in the titular Swiss city. Although all but one of the selections appear on the outfit's first two releases, they present differently ...
read moreBig Bad Brötzmann Quintet: Bambule!
by Glenn Astarita
This set finds legendary free jazz innovator Peter Brotzmann leading his Big Bad Quintet, along with fellow German improvisational champions, keyboardist Oliver Schwerdt, drummer Christian Lillinger, bassist John Eckhardt and fabled British bassist John Edwards to round out a sweltering session, teeming with notions of turmoil, and enduring interchanges. Brotzmann is like a turbo-charged bulldozer flattening all the unwieldly routes throughout these two extended tracks. As the German translation of the album moniker infers, a non-violent prison protest. ...
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