Articles

Daily articles carefully curated by the All About Jazz staff. Read our popular and future articles.

ALBUM REVIEW

Eve Risser: Après un rêve

Read "Après un rêve" reviewed by Henning Bolte

There are characteristic archetypal melodies with which we fell immediately familiar. “Apres un Reve," written by French composer Gabriel Fauré in the 1870s, is such a tune. These types of melodies can often be repeated without loss of attraction or tension and release dynamics. In this live recorded performance, French multi-instrumentalist Eve Risser exploits the inherent potential of Fauré's theme in a puzzling yet fabulous way. While just hinting at it, repetitively retarding it, while tattering it and ...

LIVE REVIEW

North Sea Round Town 2019

Read "North Sea Round Town 2019" reviewed by Henning Bolte

North Sea Round Town Dawn: A Trilogy of Sound Rotterdam Wihelmina Pier June 28-29, 2019 North Sea Round Town is a community-based festival in the port city of Rotterdam (largest port in Europe) situated in the Rhine-Meuse-Scheldt delta at the North Sea. With its 365 concerts spread over 125 locations in the city for 18 days it is an upbeat to the three-days commercial mega North Sea Jazz Festival. The locations are ...

LIVE REVIEW

Eve Risser L' ensemble ensemble at Stegi Onassis Cultural Centre

Read "Eve Risser L' ensemble ensemble at Stegi Onassis Cultural Centre" reviewed by Henning Bolte

Eve Risser L' ensemble ensemble Stegi Onassis Cultural Centre Athens March 8, 2019 The Onassis Cultural Foundation and the Stegi site/building in Athens are both offshoots of the Alexander S. Onassis Public Benefit Foundation, a foundation created by ship magnate Aristotle Onassis (1906-1975) to honor the memory of his son Alexander, who died at age 24 in an airplane crash in 1973. The cultural part of the foundation is financed by the business part and ...

ALBUM REVIEW

Eve Risser & Kaja Draksler: To Pianos

Read "To Pianos" reviewed by Ian Patterson

It's easy to forget that the piano is a percussion instrument, so hardwired are out brains to expecting tunes you can hum or whistle from its eighty eight keys. In this work commissioned by Jazz Festival Ljubljana and recorded there in 2016 and 2017, pianists Eve Risser (France) and Kaja Draksler (Slovenia) certainly mine the percussive sonorities of their two pianos but they explore so much more besides. Essentially, the duo's aim in these part through-composed, part-improvised pieces is to ...

LIVE REVIEW

38th International Jazzfestival Saalfelden

Read "38th International Jazzfestival Saalfelden" reviewed by Enrico Bettinello

International Jazzfestival of Saalfelden Saalfelden, AustriaAugust 24-27, 2017 Once again, set against the amazing backdrop of the Austrian Alps, the International Jazzfestival of Saalfelden offered a unique perspective on the most adventurous jazz from around the world, as it does since its inception in the 1970s. It is no coincidence that its rich programme (37 performances in 4 days), as well as the local warm hospitality, keep attracting promoters, critics and a very diverse ...

ALBUM REVIEW

Eve Risser / Benjamin Duboc / Edward Perraud: En Corps Generation

Read "En Corps Generation" reviewed by John Sharpe

The eponymous debut En Corps (Dark Tree, 2012) by the French triumvirate of pianist Eve Risser, bassist Benjamin Duboc and drummer Edward Perraud made several year-end lists, and Génération belongs in the same category. Les Deux Versants Se Regardent (Clean Feed, 2016) by Risser's White Desert Orchestra revealed her as a composer of note, as well as an innovative pianist, who resides in a line of explorers who have furthered John Cage's preparations for piano, such as Benoit Delbecq and ...

ALBUM REVIEW

Eve Risser White Desert Orchestra: Les Deux Versants Se Regardent

Read "Les Deux Versants Se Regardent" reviewed by John Sharpe

Known for her adventurous approach to her instrument, French pianist Eve Risser takes a correspondingly maverick attitude to her first leadership vehicle, the White Desert Orchestra. Not that the two styles are in any way analogous. Rather Risser melds and translates disparate concepts into offbeat constructs which span jazz, improvisation, rock and contemporary classical, but remain beyond genre. Both the name of the ensemble and the cover images hint at the stimulation she draws from iconic landscapes in the western ...


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