Articles

Daily articles carefully curated by the All About Jazz staff. Read our popular and future articles.

6

Album Review

Brian Carpenter’s Ghost Train Orchestra: Book Of Rhapsodies Vol. II

Read "Book Of Rhapsodies Vol. II" reviewed by Jerome Wilson


There have been several ensembles in the past couple of decades that delved into the novelty jazz recordings of the Thirties and Forties. In the Netherlands there have been The Beau Hunks and the Willem Breuker Kollektief and in this country there have been Don Byron's Bug Music group and Brian Carpenter's Ghost Train Orchestra.The Ghost Train Orchestra's usual focus is on the “hot jazz" of the Twenties and Thirties but in 2013 they put out a CD ...

10

Interview

Brian Carpenter: In Between The Cracks

Read "Brian Carpenter: In Between The Cracks" reviewed by DanMichael Reyes


To write that Brian Carpenter has had an interesting career would be an incomplete statement since he holds so many. By day Carpenter is an engineer, but there's also his radio shows, his acting career, a film he's working on about Albert Ayler, his band Brian Carpenter and the Confessions where he sings and composes, and more befitting for our purposes, there are his two groups, Beat Circus and The Ghost Train Orchestra. A quick glance into Beat ...

3

Album Review

Brian Carpenter’s Ghost Train Orchestra: Book Of Rhapsodies

Read "Book Of Rhapsodies" reviewed by Mark Corroto


If you were to identify the music from Book Of Rhapsodies as cartoon music and asked to name specifically which cartoons, it might be easy to guess your age. The baby-boom generations would call bandleader Brian Carpenter's music the soundtrack to Bugs Bunny and Yosemite Sam and might guess Carl Stalling. X-Generation would identify the soundtrack to the show Ren & Stimpy. Older folk would know Stalling adapted much of his music from originator Raymond Scott. But then, we would ...

117

Album Review

Brian Carpenter’s Ghost Train Orchestra: Hothouse Stomp

Read "Hothouse Stomp" reviewed by C. Michael Bailey


One of the beauties of long-lived music genres is if a current one becomes boring and the future looks, well, too futuristic, we can always go backwards, investigating earlier forms we may have not paid attention to earlier. And herein lies the value of Brian Carpenter's Hothouse Stomp: The Music of 1920 Chicago and Harlem. The music Carpenter concentrates on is big band music other than Duke Ellington and Count Basie, during the Jazz Age of F. Scott Fitzgerald and ...


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