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Daily articles carefully curated by the All About Jazz staff. Read our popular and future articles.

ALBUM REVIEW July 11, 2020

Frank Macchia / Brock Avery: Rhythm Abstraction: Ruby

Read "Rhythm Abstraction: Ruby" reviewed by Dan McClenaghan

Multi-instrumentalist Frank Macchia released his full length CD Rhythm Kaleidoscope (Cacophany Records) in 2018. The compositions were created over a foundation of Brock Avery's multi-layered improvised drum and percussion solos, with Macchia orchestrating a sea of woodwinds and synthesizer sounds, some brass and some prepared piano samples, resulting in a lush and feisty twenty-first century jazz-classical-fusion hybrid of the highest order. This mode of operation apparently caught his fancy. He follows up in 2020 with a three EP set--released between ...

ALBUM REVIEW April 13, 2020

Frank Macchia / Brock Avery: Rhythm Abstraction: Gold

By Dan McClenaghan

Muli-reedist Frank Macchia and percussionist Brock Avery started 2020 with their release of Rhythm Abstraction: Azure (Cacophony), a follow-up to 2018's Rhythm Kaleidoscope (Cacophony), employing its predecessor's approach. Here's how it works. Avery lays down an improvised percussion foundation. Then Macchia steps in with just about every imaginable reed instrument to construct an elaborate orchestration—one step, one saxophone (or flute, or clarinet, or ocarina) at a time. Liken it to Avery serving as a baker, sculpting a cake, then calling ...

ALBUM REVIEW February 2, 2020

Frank Macchia & Brock Avery: Rhythm Abstraction: Azure

By Dan McClenaghan

Reedman-arranger-composer Frank Macchia didn't take the conventional route in putting his EP Rhythm Abstractions: Azure together. He didn't get a huge orchestra in one studio, pass out the charts and explain to the players what he was trying to do. What he did was pare the personnel down to a minimum and turn drummer Brock Avery loose for some serious improvisation time. Then Machia layered in a whole bunch of reeds—piccolo, flutes (alto,bass, contrabass), clarinets (alto, bass contrabass), saxophones (sopranino, ...

ALBUM REVIEW January 18, 2019

Frank Macchia: Rhythm Kaleidoscope

By Troy Dostert

With a host of wide-ranging work not only as a musician but also as a producer and arranger for television and film projects, Frank Macchia has never been one to rest on his laurels. Even if you're not familiar with his recordings, chances are you've heard at least one of his many film orchestrations: from The Cable Guy to Mission Impossible III to Muppets Most Wanted, Macchia's resume covers virtually every movie genre imaginable. And his own recording projects have ...

ALBUM REVIEW December 18, 2013

Frank Macchia: Grease Mechanix

By Jack Bowers

One thing that must be said about Frank Macchia (well, two things, actually)--he's a wild and crazy composer / bandleader whose satchel is always overflowing with splendid musical surprises. On his new album, Grease Mechanix, Macchia goes funky in a New Orleans brass band manner, employing a seventeen-piece ensemble comprised of some of the best sidemen the Los Angeles area has to offer to design such instant jazz classics as “Zombies Ate My Grandma," “Chicken Neck," “I'm So Damn Mad!," ...

ALBUM REVIEW January 12, 2012

Frank Macchia: Frank Macchia's Swamp Thang

By Dan McClenaghan

You never can tell what some jazz guys have up their sleeves. Los Angeles-based reedman Frank Macchia has worked extensively in television and movies, while maintaining a busy jazz career. His two orchestral jazz outings--Emotions (2006) and Landscapes (2008)--each garnered Grammy nominations, and he has also offered up two very distinctive jazz re-imaginings of traditional fare with Folk Songs for Jazzers (2010) and Son of Folk Songs for Jazzers (2011), all released on his own Cacophony Records.With Frank ...

ALBUM REVIEW March 23, 2011

Frank Macchia: Son Of Folk Songs For Jazzers

By Edward Blanco

Composer/arranger Frank Macchia explores twelve more American folk songs and their reinterpretation through jazz on Son of Folk Songs for Jazzers, a follow-up to his critically acclaimed Folk Songs for Jazzers (Cacophony, 2010), for which he received his third Grammy nod in the Best Instrumental Arrangement category. As with the first album, Macchia uses a fourteen-piece ensemble, with many of the same A-list musicians from the Los Angeles area, among them, Wayne Bergeron, Bob Sheppard, Bill Reichenbach and vocalist Tierney ...