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Christie Dashiell: Journey In Black
by La-Faithia White
Christie Dashiell is an award-winning vocalist, composer, and educator born in Washington, DC and raised in Greenville, NC. Dashiell is a product of a musical family that influenced her to begin singing at an early age. Jazz bassist Carroll Dashiell, Jr is her father. Daughter and father are well known on the Washington DC music scene. Journey In Black consists of nine songs, seven which are original works from Dashiell, and two jazz classics that she recreates nicely. On Journey ...
read moreDarrell Grant: The New Black
by Paul Rauch
Pianist Darrell Grant's debut album Black Art (Criss Cross) was released in 1994, and became acclaimed as one of the definitive statements of New York jazz in the 1990s. It featured bassist Christian McBride, drummer Brian Blade, and the late, great Wallace Roney on trumpet—all of whom would go on to make major statements of their own in the music. In 2019, some twenty five years later, Grant had the opportunity to revisit the album repertoire at Birdland, convening bassist ...
read moreUgly Beauty: Jazz In The 21st Century
by Ian Patterson
Ugly Beauty: Jazz in The 21st Century Phil Freeman 250 Pages ISBN: 978 1 78904 632 8 ZerO Books 2022 There is a scene in Douglas Adams' book The Hitchhiker's Guide to the Galaxy (Pan Books, 1979) where a computer named Deep Thought is about to reveal the answer to Life, the Universe and Everything, having crunched the numbers for a mind-boggling 7.5 million years. To a large, excited crowd, headed by two ...
read moreJoel Ross: The Parable Of The Poet
by Chris May
The story of jazz is part musical and part social, the two strands interacting to shape, on one hand, the sound we hear and, on the other, the demographic who make it and constitute its audience. Viewed from London, the semiology surrounding New York-based vibraphonist Joel Ross' octet, heard on his third Blue Note album, The Parable Of The Poet, tells a social story as much as it does a musical one. The octet's optics (check the ...
read moreMarquis Hill: New Gospel Revisited
by Chris May
Chicago-born trumpeter Marquis Hill released his first album while still in college and in 2022, just over a decade later, he has retooled it on New Gospel Revisited, recorded live in his hometown with a fresh lineup and tweaked instrumentation. It is a terrific disc. Like his near contemporary and fellow trumpeter Christian Scott aTunde Adjuah, Hill holds his music to be part of a broad musical continuum that includes genres other than jazz, notably hip hop. ...
read moreMakaya McCraven: Deciphering the Message
by Angelo Leonardi
Il debutto in casa Blue Note di Makaya McCraven è un omaggio alla storia musicale dell'etichetta, espresso ovviamente in prospettiva personale. Come ha fatto nei suoi dischi recenti—e in particolare nell'omaggio a Gil Scott-Heron (We're New Again, XL Recordings 2020)-il batterista e produttore di Chicago usa creativamente la tecnologia sperimentata dai DJ e produttori di hip-hop e club culture, in prospettiva nuova. Il classico repertorio Blue Note degli anni cinquanta e sessanta suscita l'attenzione delle subculture giovanili ...
read moreEmmet Cohen: Future Stride
by Mike Jurkovic
As proven onstage as well as on such percolating, locomotive recordings as 2018's self released Dirty In Detroit, Masters Legacy Series Vol 1 with Jimmy Cobb (Cellar Live, 2016), 2018's Masters Legacy Series Vol 2 with Ron Carter (Cellar Live), and his regular Monday Night Quarantine Jams on Facebook, pianist Emmet Cohen makes his music with an unabashed, heart-on-you-sleeve exuberance and love for the future as past and vice versa. So it should come as no surprise to anyone that ...
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