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Daily articles carefully curated by the All About Jazz staff. Read our popular and future articles.

RADIO

Reid, Halvorson, Roebke and Fujiwara

Read "Reid, Halvorson, Roebke and Fujiwara" reviewed by Bob Osborne

On this show a focus on the outstanding 2019 album from Tomeka Reid, Mary Halvorson, Jason Roebke and Tomas Fujiwara called Old New. To compliment those selections there are also tracks from each of the band members in various other units demonstrating the excellent music that each of these musicians create. There are also other fantastic new releases. One from revered Italian jazz guitarist Martino Vercesi, with his 4 tet, his fifth solo album, which is a collection of original ...

RADIO

Tomeka Reid Quartet, Piero Bittolo Bon & Ratchet Orchestra

Read "Tomeka Reid Quartet, Piero Bittolo Bon & Ratchet Orchestra" reviewed by Maurice Hogue

I guess this episode could be termed a “friendly" one, as it just so happens a number of my musical friends have new releases out for sampling, so I dove right in. Toronto drummer Nick Fraser has an excellent album out with Tony Malaby and Kris Davis and they open the show. Violist Ig Henneman from Amsterdam is part of a very non-traditional trio with trumpeter Jaimie Branch and flautist Anne La Barge—I know Ig from working with her and ...

ALBUM REVIEW

Tomeka Reid - Filippo Monico: The Mouser

Read "The Mouser" reviewed by John Sharpe

Cellist Tomeka Reid reveals another aspect of her artistry on The Mouser, on five unfettered excursions in the company of Italian percussionist Filippo Monico. Rather than the supple propulsion and poised angularity of her eponymous quartet (Thirsty Ear, 2015) or the AACM repertoire of Artifacts (482 Music, 2015), Reid concentrates on exploring the full resources of her instrument to respond in the moment to her fellow protagonist. Indeed, this is one of those albums where the focus is more on ...

RADIO

Ben Monder, Ingrid Laubrock and More

Read "Ben Monder, Ingrid Laubrock and More" reviewed by Maurice Hogue

The Dutch powerhouse quintet Spinifex included a pair of tracks imbued with Sufi traditional music of Kurdish/Iranian origin, and a Qawali traditional from Pakistan on their last recording, Amphibian Ardour; they loved the challenge of fusing those styles into their irregular structures and free jazz so much that they decided to go all in on their newest release, Soufifex. There's always challenging music on releases from the Relative Pitch label, and this episode brings music from new albums by Ingrid ...

ALBUM REVIEW

Tomeka Reid: Tomeka Reid Quartet

Read "Tomeka Reid Quartet" reviewed by Patrick Burnette

Even jazz fans who follow recordings coming out of Chicago might still not have heard of cellist Tomeka Reid. Before 2015, when Tomeka Reid Quartet was released, she worked mostly as a sideman (side-person?) with such local luminaries as Nicole Mitchell and Dee Alexander, as well as participating in the AACM. Given that it's her debut as leader, Quartet is a remarkably assured recording, programmed with an excellent sense of pace and point. Performances don't outstay their welcome and fit ...

ALBUM REVIEW

Tomeka Reid: Tomeka Reid Quartet

Read "Tomeka Reid Quartet" reviewed by Hrayr Attarian

As an accomplished composer and improviser, cellist Tomeka Reid, is an integral part of Chicago's creative music scene. In addition to being an educator, Reid is a versatile and tireless performer both in her hometown and beyond. Moreover her unique style graces the works of such luminaries as flutist Nicole Mitchell, multireed player Anthony Braxton as well as her own collaborative trio albums. The tense and thrilling Tomeka Reid Quartet is her first release as a leader. The, ...

ALBUM REVIEW

Jennifer Lee: Quiet Joy

Read "Quiet Joy" reviewed by Jeff Dayton-Johnson

You cannot judge a jazz CD by its cover, particularly in this age of frankly shoddy-looking self-produced sleeves that may well detract attention from good music inside. The cover of Jennifer Lee's Quiet Joy is not amateurish--on the contrary, it is very tastefully assembled. Nevertheless, it could be misleading. The cover depicts the San Francisco Bay Area-based singer and instrumentalist seated in a leafy flower garden, the details spelled out in a sunny font. The packaging promises the musical equivalent ...


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