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Jazz Articles about Christian Fabian

3
Album Review

Rodney Jordan: Conversations

Read "Conversations" reviewed by Richard J Salvucci


Yes, Hildegard von Bingen is a thing, and for many musicians, especially singers, a serious icon. Yes, you can tune a bass to A=432hz. Until the mid-nineteenth century, standard tuning on a bass was 430-435. Verdi apparently loved 432 because he said it resonated within the golden ratio, or a professional bassist informs “something like that." It goes back to the whole music of the spheres, but Baroque groups and early music ensembles will play other composers, including Beethoven in ...

4
Album Review

Rodney Jordan and Christian Fabian: Conversations

Read "Conversations" reviewed by Jim Worsley


An endorsement from Ron Carter is worthy of attention. Two upright bassists playing duets for sure gets your attention, if only for such a rarity. Then there are the twelve songs that grasp your attention. Bassists Rodney Jordan and Christian Fabian join forces for Conversations that have much to say and are spoken eloquently with vocabularies that are both diverse and connected. Both payers are adept soloists that conversely know how to leave space for each other, comp when necessary, ...

11
Album Review

Purdie Fabian Oswanski: Move On!

Read "Move On!" reviewed by Chris M. Slawecki


In a 1977 magazine interview, New York Yankees Hall of Famer Reggie Jackson (in)famously referred to himself as “the straw that stirs the drink" for his team. On this trio set with organ player and composer Ron Oswanski and bassist-composer Christian Fabian (who also shaped the arrangements), the one and only original funky drummer Bernard Purdie keeps stirring his drum pots to help this trio's funky and rhythmic grooves to Move On!. The leadoff “The Red Plaza" and ...

4
Album Review

Purdie / Fabian / Oswanski: Move On!

Read "Move On!" reviewed by Jack Bowers


No one receives top billing in this tight-knit trio, which embodies organist Ron Oswanski, bassist Christian Fabian and drummer Bernard “Pretty" Purdie. And that is as it should be, as each of them is indispensable to its success. That success is further predicated on how well the three amigos enhance an agenda that is heavily laden with funk and soul including five greasy compositions by Fabian and others by Duke Ellington, Miles Davis and even Julia Ward Howe (a gritty ...


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