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Jazz Articles about Larry Grenadier
About Larry Grenadier
Instrument: Bass, acoustic
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by Chris May
Those of us who were going to jazz festivals in summer 1966, and were lucky enough to catch the Charles Lloyd Quartet, will likely have one tune in particular imprinted on our memories. That was because “Forest Flower" so precisely reflected the acid-drenched zeitgeist blossoming in Europe and the US. Lloyd, Keith Jarrett, Cecil McBee and Jack DeJohnette recorded the piece at the Monterey festival in September 1966, and when Forest Flower was released in early 1967, it was the ...
read moreCharles Lloyd: The Sky Will Still Be There Tomorrow
by Mike Jurkovic
For a long, grateful while now the music of Charles Lloyd has rippled out from that rarified space where the ego does not prevail. A pool of depth and wonder which culminates in one masterful artwork after another, for example Wild Man Dance (Blue Note, 2015) and 8: Kindred Spirits Live from the Lobero Theater (Blue Note, 2019). Lloyd's eleventh Blue Note album, the double disc set The Sky Will Still Be There Tomorrow is also his first ...
read morePeter Beets: New York Trio Page Two
by C. Andrew Hovan
In its relatively short history, American jazz music has established a language that while having some ties to the European tradition is more fully rooted in the rhythms and folk melodies of the African slaves. What is even more significant is the profound impact that the music and musicians have had in breaking social boundaries such as race, culture, and ethnicity. Way before there were even the thoughts of equal opportunities for all individuals in the American South, Benny Goodman ...
read moreJakob Bro, Joe Lovano: Once Around the Room - A Tribute To Paul Motian
by Angelo Leonardi
Il magistrale percorso da leader di Paul Motian, esploso negli anni ottanta nel trio con Joe Lovano e Bill Frisell, ha avuto significativi tributi a partire dal 2011, l'anno della sua scomparsa: ricordiamo lo String Choir di Joel Harrison, il collettivo Motian Sickness di Jeff Cosgrove, il solo piano di Russ Lossing (Drum Music) e quello successivo di Jean-Marc Padovani (Motian in Motion). Rispetto a questi, il tributo del collettivo guidato da Joe Lovano e Jakob Bro ...
read moreJakob Bro / Joe Lovano: Once Around the Room
by Mike Jurkovic
The thrumming double basses of Larry Grenadier and Thomas Morgan initiate the conversation. Then the scattered insistence of rhythm by drummers Joey Baron and Jorge Rossy enters, pushing Once Around the Room into consciousness with all the anticipation and hushed intent of an orchestra tuning before a performance. Airy clusters of guitar courtesy of Jakob Bro and electric bassist Anders Christensen introduce Joe Lovano's aching call summoning the spirit to make known “As It Should Be," the first of the ...
read moreJoey Alexander: Origin
by Peter Jones
Pianist Joey Alexander was never going to spend his life churning out standards. You could tell from his reimagined version of “Giant Steps," the first track on his 2015 debut album, which begins with a dazzling two-minute solo introduction. The same album also features an original tune, the prowling “Ma Blues." It was clearly only going to be a matter of time before he came up with an all-originals album, and so it is with this, his sixth outing. Meanwhile ...
read moreEthan Iverson: Every Note Is True
by Neri Pollastri
Oltre vent'anni dopo la cofondazione dei The Bad Plus e a quattro dalla sua fuoriuscita dalla fortunata formazione, Ethan Iverson ha approfittato della sosta imposta dalla pandemia per portare in studio due musicisti di assoluto spicco quali Larry Grenadier e Jack DeJohnette per registrare con un nuovo trio un album che andasse oltre quanto maturato nel lungo lavoro svolto con la sua precedente formazione. Ne è venuto fuori questo singolare Every Note Is True, primo disco del pianista per la ...
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