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Jazz Articles about Jon Davis

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Album Review

Willie Morris: Attentive Listening

Read "Attentive Listening" reviewed by David A. Orthmann


Attentive Listening, Willie Morris 's second Posi-Tone release in as many years, documents the continuing evolution of a jazz master in the making. Like last year's Conversation Starter, the tenor saxophonist/composer thrives in the stimulating company of alto saxophonist/alto flutist Patrick Cornelius and pianist Jon Davis. Bassist Boris Kozlov and drummer Rudy Royston round out a rhythm section that fuels the record's impressive reach. Early on, Morris' “Water Fountain Of Youth" and “The Imitation Game" are up-tempo ...

6
Album Review

Blue Moods: Swing & Soul

Read "Swing & Soul" reviewed by David A. Orthmann


Swing & Soul is the second in a series of recordings by Blue Moods, one of the projects initiated by Posi-Tone Records producer Marc Free to attract new listeners to jazz. The release showcases a collection of compositions by pianist Duke Pearson, an underrecognized figure who worked for Blue Note as an A&R man, arranger, and sideman, in addition to leading several dates that remain in high regard by many aficionados. Five of Posi-Tone's leading lights, tenor ...

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Album Review

Claire Daly: VuVu for Frances

Read "VuVu for Frances" reviewed by Jack Bowers


Claire Daly, whose gruff yet eloquent baritone sax has brightened the New York scene for almost four decades, reunites with acclaimed tenor saxophonist George Garzone on Daly's seventh album as leader, VuVu for Frances, whose honoree is Frances Ballantyne, described by Daly as “a profound influence on [her] life" and “a consummate New Yorker." Daly and Garzone last recorded together in 1999, on Garzione's Moodiology (NYC), and Father Time hasn't caused either of them to lose so much as a ...

6
Album Review

Willie Morris: Conversation Starter

Read "Conversation Starter" reviewed by David A. Orthmann


The story is old, predictable and often exasperating. A virtually unknown jazz musician distinguishes himself or herself as part of the supporting cast on a handful of recordings. And then begins the wait to see if any label will offer the young, deserving player a shot in the driver's seat. Early this year, two releases on Posi-Tone Records stimulated an appetite for more music by Willie Morris. The tenor saxophonist acquitted himself well as an ensemble player, ...

3
Album Review

Claire Daly (with George Garzone): VuVu for Frances

Read "VuVu for Frances" reviewed by Troy Dostert


Working jazz musicians have long been accustomed to the necessity of playing just about anything, in any setting, and Claire Daly is no exception. The intrepid baritone saxophonist has recorded tributes to Thelonious Monk and Rahsaan Roland Kirk and, in 2016, she even offered a distinctive take on Motown classics with 2468 West Grand Boulevard (Glass Beach Jazz). With the enviable versatility on her formidable horn which has brought her consistent acclaim, she now turns to more conventional jazz fare, ...

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Album Review

Various Artists: Tales Of Wonder: A Jazz Celebration Of Stevie

Read "Tales Of Wonder: A Jazz Celebration Of Stevie" reviewed by Kyle Simpler


There aren't many songwriters who have reached a level of success comparable to Stevie Wonder. He is one of the most important figures in American music, and to celebrate his 70th birthday, Posi-Tone records is releasing Tales of Wonder: A Jazz Celebration of Stevie. This compilation, performed by some of the label's excellent roster of musicians, offers a fitting tribute to this legendary artist. Rather than simply offering something of a greatest hits compilation, Tales of Wonder digs into Wonder's ...

4
Album Review

Jon Davis: Happy Juice

Read "Happy Juice" reviewed by David A. Orthmann


Whitney Balliett once wrote, “good musicians do not copy their elders; they only use them as primers." These are words to keep in mind while listening to Jon Davis' Happy Juice, a ten track recital that acknowledges a number of modern jazz piano masters (Herbie Hancock, Bill Evans, Chick Corea, McCoy Tyner, Keith Jarrett, and Red Garland) in terms of material and methods yet deftly eschews the weight of any single influence. Davis' style is at once pleasurable, mysterious, demanding, ...


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