Articles

Daily articles carefully curated by the All About Jazz staff. Read our popular and future articles.

ALBUM REVIEW

Denny Zeitlin: Remembering Miles

Read "Remembering Miles" reviewed by Dan McClenaghan

Pianist Denny Zeitlin, pushing hard ahead in an extraordinary recording career that began in 1963 with a sideman job on Jeremy Steig's Flute Fever (Columbia Records), has settled artistically, fifty years on, into a pair welcoming homes: Sunnyside Records, for whom he has recorded ten superb albums, beginning with 2009's In Concert Featuring Buster Williams and Matt Wilson, and Oakland, California's Piedmont Piano Company, where he has taken up residence in recent years to present solo piano recitals focusing on ...

INTERVIEW

Denny Zeitlin: Balancing Act

Read "Denny Zeitlin:  Balancing Act" reviewed by Ken Dryden

Denny Zeitlin is a true Renaissance man with many interests, in addition to balancing his careers in medicine and music. Although his medical practice and teaching have limited his abilities to tour beyond brief trips east or playing near his home in California, he has recorded regularly in recent years, releasing a variety of projects for Sunnyside. Well known for his composition “Quiet Now," which was recorded numerous times by Bill Evans, Denny remains a dedicated composer in his quest ...

ALBUM REVIEW

Denny Zeitlin: Wishing On The Moon

Read "Wishing On The Moon" reviewed by Dan McClenaghan

Pianist Denny Zeitlin claimed a spot as a top-tier jazz pianist at the very beginning of his recording career with a sideman slot on flutist Jeremy Steig's Flute Fever (Columbia, 1963), followed by his debut as a leader, Cathexis (Columbia, 1964). After three more excellent sets for Columbia, Zeitlin's career shifted into a smaller label mode, resulting in several high quality but under-recognized albums. Additionally, in 1978 he seized the opportunity to score the orchestral electro-acoustic avant-garde soundtrack to the ...

ALBUM REVIEW

Denny Zeitlin: Wishing On The Moon

Read "Wishing On The Moon" reviewed by Dan Bilawsky

The title of the final cut on this live date--"Signs & Wonders," written by David Friesen--truly homes in on the truth about this trio. For in gestures large and small, guideposts laid out by form and instinct, a time-strengthened sense of equilateral idealism, and an open-minded aesthetic, this outfit continually creates music to marvel at. While pianist Denny Zeitlin, bassist Buster Williams, and drummer Matt Wilson have been at it together for eighteen years, this set doesn't ...

LIVE REVIEW

Denny Zeitlin, Buster Williams & Matt Wilson at Mezzrow Jazz Club

Read "Denny Zeitlin, Buster Williams & Matt Wilson at Mezzrow Jazz Club" reviewed by Mike Jurkovic

Denny Zeitlin, Buster Williams, Matt Wilson Mezzrow Jazz Club New York, NY May 5, 2018 It was cramped on Cinco de Mayo in Mezzrow. Real cramped. Just as it should be for the last night of Denny Zeitlin's rare, four night residency. A West Coast resident, Zeitlin doesn't get out this way much, so when he does, the people respond, listen, and marvel. Denny Zeitlin may not be a name that rolls off ...

JAZZ JOURNAL

Winter 2017

Read "Winter 2017" reviewed by Doug Collette

Jazz Journal is a regular column consisting of pithy takes on recent jazz releases of note as well as spotlights on those titles in the genre that might otherwise go unnoticed under the cultural radar. Denny Zeitlin & George Marsh Expedition: Duo Electro-Acoustic Improvisations Sunnyside2017 Because the multiplicity of drums and percussion instruments George Marsh uses on Expedition is comparable to the comparable array of acoustic and electric keyboards Denny Zeitlin utilizes, ...

ALBUM REVIEW

Denny Zeitlin & George Marsh: Expedition: Duo Electro-Acoustic Improvisations

Read "Expedition: Duo Electro-Acoustic Improvisations" reviewed by Dan McClenaghan

In spite of his achievement, early on, of having attained the status of top tier jazz pianist, Denny Zeitlin has always wanted to expand his artistry beyond the confines of the trio format where he made his name. Call it artistic restlessness. His first release came in 1964, the Columbia Records date, Cathexis, an acoustic trio affair followed by three more of the same on Columbia. All well received. But something must have been missing. In 1973, Zeitlin--along ...


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