Articles

Daily articles carefully curated by the All About Jazz staff. Read our popular and future articles.

INTERVIEW

Jeff Gauthier: Open

Read "Jeff Gauthier: Open" reviewed by Ian Patterson

Violinist Jeff Gauthier has been a leading figure in cutting-edge jazz on the West Coast since the mid-'70s. As a leader, he's produced half a dozen compelling works with his band of 20 years, The Jeff Gauthier Goatette. Open Source (Cryptogramophone, 2011) finds the quartet grown to a quintet, with trumpeter John Fumo bringing added fire to what was already one of the most exciting combos in modern jazz. Open Source blends folkish, pastoral airs with a very modern jazz ...

ALBUM REVIEW

The Jeff Gauthier Goatette: Open Source

Read "Open Source" reviewed by Ian Patterson

Open Source would have made a good alternative name for violinist Jeff Gauthier's ensemble, as it draws inspiration from myriad sources. Goatette continues its near twenty-year journey into territory ranging from avant-garde and sci-fi soundscapes, and deep funk grooves colored by searing electric guitar, to an altogether more pastoral melodicism reminiscent of the Mahavishnu Orchestra at its most serene. Now a sextet with the addition of trumpeter John Fumo, the widely traveled musician steers a course between post-bop and electric ...

ALBUM REVIEW

The Jeff Gauthier Goatette: Open Source

Read "Open Source" reviewed by John Kelman

When two-thirds of a group has “effects" in their instrumental credits, it's a safe bet this ain't your granddaddy's jazz. When it's violinist Jeff Gauthier's Goatette, punctuating the quirky theme in the first moments of “40 Lashes (With Mascara)" with thundering drums and high-octane power chords, it's clear that Open Source is going to make plenty of demands--and not just on the musicians who play it. Any group featuring the intrepid Cline twins--guitarist Nels and drummer Alex--is ...

ALBUM REVIEW

The Jeff Gauthier Goatette: House of Return

Read "House of Return" reviewed by Glenn Astarita

Violinist/producer Jeff Gauthier is well-known for his cutting-edge solo work and being a proponent of his label's crystalline, sonic engineering process, where most all the details and nuances can be detected, even with low-budget stereo equipment. The Goatette's third release continues to demonstrate the musicians' nearly telepathic interactions amid an abundance of structured and improvisational components.

The quintet clearly projects a mark of distinction and from a stylistic perspective it might be somewhat of an anomaly to rigidly ...

INTERVIEW

Jeff Gauthier: Fiddling with the Future

Read "Jeff Gauthier: Fiddling with the Future" reviewed by Rex  Butters

With over three decades playing in some of L.A.'s most innovative and interesting musical projects, violinist/composer Jeff Gauthier threatens to succumb to the irony of being better known as the founder/CEO of Cryptogramophone Records. Now in their tenth year, Cryptogramophone has outgrown underground status, even meriting a feature in trendy Details magazine. Boasting a roster including Nels Cline, Vinny Golia, Peter Erskine, Don Preston, Steuart Liebig, Alex Cline, and Gauthier's Goatette, Cryptogramophone also provided a safe haven for the long ...

ALBUM REVIEW

The Jeff Gauthier Goatette: House of Return

Read "House of Return" reviewed by Troy Collins

Los Angeles based violinist Jeff Gauthier's fifth recording as a leader, House of Return is the third album to feature the capable talents of his self-coined Goatette. A veteran quintet of stellar West Coast improvisers, Gauthier and company work from a varied palette to explore a mix of sound worlds, ranging from thorny progressive fusion and unfettered psychedelia to folksy introspection and lush ballads.

As founder and producer of the adventurous Cryptogramophone label and co-founder of the influential ...

MEGAPHONE

Musical Community

Read "Musical Community" reviewed by AAJ Staff

By Jeff Gauthier Music is all about community. The jazz musicians of New York are a musical community. Individual ensembles within that larger community are musical communities. However, so are social networking sites, record companies and the readers of All About Jazz. We can generally break communities down into two specific types: physical and virtual. Both communities can reflect specific musical styles. Physical communities and virtual communities have been interacting ever since people started banging rocks ...


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