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Daily articles carefully curated by the All About Jazz staff. Read our popular and future articles.

ALBUM REVIEWS

Michelle Lordi: Break Up With the Sound

Read "Break Up With the Sound" reviewed by C. Michael Bailey

Vocalist Michelle Lordi's house burned down at the end of 2017. That is a bracing life event from which one may find oneself at a brutally curious fork in the road. Lordi's Break Up With the Sound makes it seem that she blazed through Kubler Ross's five stages of loss and got to work on something so new, it smelled of white-hot creation. Lordi's modus operandi has been addressing the Great American Songbook, as evidenced by her densely competent Dream ...

LIVE REVIEWS

Michelle Lordi at Philadelphia Museum of Art

Read "Michelle Lordi at Philadelphia Museum of Art" reviewed by Victor L. Schermer

Michelle Lordi Trio Friday Nights Philadelphia Museum of Art June 8, 2018 I've always appreciated Michelle Lordi's singing through her fine recordings, but I'd never heard her in person, so I seized this opportunity to hop over to the Philadelphia Museum of Art to catch her show, especially because her trio included two of the finest musicians on the scene today: Jim Ridl on piano and Matthew Parrish on bass. Ridl ...

ALBUM REVIEWS

Michelle Lordi: Dream a Little Dream

Read "Dream a Little Dream" reviewed by Victor L. Schermer

Michelle Lordi graces the Philadelphia area with her singing, and her album releases and club dates in New York and elsewhere are gaining her wider recognition as she continues her regular local gigs. She sings clearly, straight ahead, and with panache. In this album, she brings together a septet of outstanding instrumentalists for a nostalgic set of standards from the American Songbook with “small big band" arrangements by saxophonist Larry McKenna reminiscent of those which Bill Holman did during his ...

ALBUM REVIEWS

Michelle Lordi: Drive

Read "Drive" reviewed by Victor L. Schermer

It's difficult to conceive how this wonderful album of restrained and subtly rendered ballads came to be called Drive, a term which leads the listener to expect a package of revved up swing or rock. However, you don't have to be a cryptologist to realize that it comes from the last track, “Drive," which contains the line “Who's gonna drive you home?" This sense of melancholy and hoped for love, like so much of the American Songbook, is the essence ...

ALBUM REVIEWS

Michelle Lordi: Michelle Lordi Sings

Read "Michelle Lordi Sings" reviewed by Victor L. Schermer

Michelle Lordi sings in a way that is uncommon today: simple, straightforward, direct, and conveying the emotions in the way we all do: in our voice inflections. No gimmicks. This is a style that emerged in the swing and cool jazz eras, a strict adherence to the tune that virtually vanished as singers began to add embellishments, scat, and too often a hysterical emotionality where personality crowded out the melody. In particular, Lordi owes something special to Chet Baker and ...


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