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Owen Broder: Hodges: Front and Center: Vol. Two
by Pierre Giroux
Owen Broder's Hodges : Front and Center Vol.Two is a respectful yet refreshing tribute to Johnny Hodges, a saxophonist with an iconic sound while injecting a contemporary vitality into the mix. Hodges' influence looms large throughout the album, guiding Broder's approach to the music. In this quintet's musical journey, Broder, on both alto and baritone saxophone, is accompanied by trumpeter Riley Mulherkar, pianist Carmen Staaf, bassist Barry Stephenson and drummer Bryan Carter. In both his playing and composing, Hodges showed ...
read moreOwen Broder: Hodges: Front and Center: Vol. Two
by Dan McClenaghan
At times, while listening to random classics in the collection, one can have the idea that everything in jazz evolved from the late '40s to early '50s bebop. But before bop was swing. Duke Ellington stayed with swing through bop, funk, and fusion. And so did alto saxophonist Johnny Hodges (1906-1970), who played in Ellington's band from its early days, the late-1920s. A much-admired player with a distinctive tone and a beautiful way with a melody, Hodges also ...
read moreOwen Broder: Hodges: Front and Center, Vol.1
by Pierre Giroux
Johnny Hodges was a unique instrumentalist whose alto saxophone playing was readily recognizable due to his tone, phrasing, and melodic engagement in improvisation. For the greater part of his musical life, he was anchored in the middle chair of the Duke Ellington Orchestra's saxophone section. However Hodges never turned down an opportunity to stretch out in a small group setting on such albums as Back To Back and Side By Side. Additionally, there were several sessions with organist Wild Bill ...
read moreChad Lefkowitz-Brown and the Global Big Band: Open World
by Jack Bowers
There are times, thanks to the indestructible human spirit, when even the most horrendous scourge--say, a global pandemic that has claimed millions of lives in countries around the world--can lead to the occasional silver lining, a small yet persistent light at the end of a very dark tunnel. Case in point: Open World, a superlative new album by saxophonist Chad Lefkowitz-Brown (commonly known as Chad LB) and the Global Big Band, whose name describes exactly what it is: an ensemble ...
read moreSteven Feifke Big Band: Kinetic
by Jack Bowers
Jazz connoisseurs who lean toward big bands that swing as earnestly and often as the renowned architects of the epic big-band era should find plenty to cheer about on Kinetic, the debut recording by New York-based pianist, composer and arranger Steven Feifke's audacious and fiery ensemble. This is a band that fires on all cylinders—but it couldn't even leave the garage unless Feifke supplied the fuel. With one exception (noted below), Feifke's intense and high-powered charts neatly pave the way, ...
read moreSteven Feifke Big Band: Kinetic
by Angelo Leonardi
Assimilare la tradizione per poi creare cose originali. È questo il percorso che hanno seguito e continuano a seguire i musicisti jazz, in forme e approfondimenti diversi. A 30 anni esatti il pianista Steven Feifke è ancora al primo passo ma in questo scintillante debutto orchestrale dimostra di avere tutte le carte in regola per sviluppare percorsi originali. Kinetic è infatti un esempio del miglior modern mainstream orchestrale, elaborato sulle lezioni di Thad Jones e Mel Lewis, ...
read moreVeronica Swift: This Bitter Earth
by Angelo Leonardi
Ad appena 26 anni Veronica Swift firma il suo album più avvincente e maturo, imponendosi come la vocalist stilisticamente più completa emersa nel nuovo millennio. Dotata di un talento prodigioso, s'è imposta nell'affollato panorama odierno delle cantanti per inventiva e virtuosismo, rinnovando l'eredità di grandi interpreti degli anni cinquanta come Anita O'Day e Dinah Washington. Veronica Swift s'esprime con esuberante entusiasmo e profondità interpretativa, sorretta da una naturale capacità di “comunicare" col pubblico, ben oltre il semplice ...
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