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Jazz Articles about Matt Holman

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Album Review

Remy Le Boeuf: Architecture of Storms

Read "Architecture of Storms" reviewed by Jack Bowers


It's hard to become bored or complacent when listening to Architecture of Storms, alto saxophonist Remy Le Boeuf's second album as leader of the twenty-member Assembly of Shadows orchestra. Every song is quite different from the others, and every one has its moments of shapeliness and charm. Le Boeuf arranged every number and composed all but Justin Vernon's “Minnesota, WI" and the album's nameplate, which he co-wrote with poet Sara Pirkle, he asserts, “on a brooding stormy ...

Album Review

Darcy James Argue's Secret Society: Dynamic Maximum Tension

Read "Dynamic Maximum Tension" reviewed by Angelo Leonardi


Precursore nel 2009 (con l'innovativo Infernal Machines) del nuovo rinascimento orchestrale nel jazz, Darcy James Argue approda all'etichetta Nonesuch e pubblica il nuovo album in studio: un doppio CD realizzato con i consueti partner della Secret Society più l'aggiunta della cantante Cecile McLorin Salvant e della violinista Sara Caswell. A differenza degli ultimi due dischi, Dynamic Maximum Tension non è un'opera multimediale ma conserva la spinta visionaria animata dalla costante riflessione socio-politica. Spinta che si traduce in ...

6
Album Review

Darcy James Argue's Secret Society: Dynamic Maximum Tension

Read "Dynamic Maximum Tension" reviewed by Katchie Cartwright


Darcy James Argue's superb double-album Nonesuch debut offers compositions written throughout his career. He turns to twentieth-century thinkers for “ideas that can help us in the present, that we can reexamine and reconfigure for our own purposes." These include futurist designer Buckminster Fuller, cryptanalyst-computer scientist Alan Turing, composer-arranger Bob Brookmeyer, actress-screenwriter Mae West, trumpeter-mentor Laurie Frink, and musician-beyond-category Duke Ellington, among others. Like West, Argue seems to control his own path. He may not yet be the tycoon she was, ...

Album Review

Remy Le Boeuf's Assembly of Shadows: Architecture of Storms

Read "Architecture of Storms" reviewed by Angelo Leonardi


Remy Le Boeuf è uno dei nomi emergenti nell'ambito dell'arrangiamento e della conduzione orchestrale. Dopo il sorprendente Assembly of Shadows del 2019, il sassofonista e bandleader californiano (a New York dal 2004) torna con la sua orchestra irrobustita nel numero e nella qualità dei singoli componenti. Tra i nuovi ingressi troviamo in particolare il trombettista Mike Rodriguez e il sassofonista Dayna Stephens, che caratterizzano un paio di brani, anche se il lavoro di Le Boeuf è prettamente ...

Album Review

Remy Le Boeuf's Assembly of Shadows: Assembly of Shadows

Read "Assembly of Shadows" reviewed by Angelo Leonardi


Dopo aver debuttato in veste di leader nel 2019 con il ricercato album Light as a World (un sestetto con, tra gli altri, Aaron Parks e Walter Smith III) il 33enne sassofonista e compositore d'origini californiane, presenta un ambizioso progetto orchestrale comprendente la suite “Assembly of Shadows," un'altra sua composizione ("Strata") e una riscrittura di “Honeymooners" di Ornette Coleman. Prima di questi lavori ha condiviso la leadership del gruppo Le Boeuf Brothers col suo gemello Pascal. La ...

Album Review

Andrew Rathbun: Atwood Suites

Read "Atwood Suites" reviewed by Angelo Leonardi


Sassofonista e orchestratore canadese, Andrew Rathbun ha 47 anni e una ricca carriera alle spalle, svolta negli Stati Uniti con studi al New England Conservatory sotto la guida di Ran Blake e dal 1997 professionalmente a New York in vari contesti. A partire dal debutto del 1999 con Scatter Some Stones, ha inciso alcuni dischi da leader, il più noto dei quali è Sculpture (Fresh Sound 2002) inciso in quintetto col suo mentore Kenny Wheeler. Con quest'ultimo Rathbun ha collaborato ...

32
Album Review

Remy Le Boeuf: Assembly Of Shadows

Read "Assembly Of Shadows" reviewed by Glenn Astarita


With his second date as a leader, multi-woodwind artist Remy Le Boeuf performs these largely self-penned comps with an orchestra, featuring notable musicians Anna Webber (woodwinds), Alex Goodman (guitar) and other jazz VIPs. Here, the leader's composing acuity brims with multicolored hues and harmonious arrangements, largely executed with a composite of modern jazz and classical inferences via gradual buildups, brash outbreaks and complex unison choruses that occasionally mimic single note bop lines. Sure enough, this young visionary's unflagging creative spirit ...


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