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Lauren White: Making It Up As We Go Along
by Nicholas F. Mondello
With this, her fifth album, Los Angeles-based Renaissance lady, Lauren White offers eleven intriguing selections across a range of styles and sources, backed up by some of the city's best. While shrewdly avoiding the tried, true and over-recorded, White uses her subtle skills with taste and maturity. Interestingly, the album plays sequentially as if it were a performance. That is one of its attractions. Launching things, Steely Dan's “I'm Not the Same Without You" is a coy ...
read moreAnn Hampton Callaway: Finding Beauty. Originals. Volume 1
by Richard J Salvucci
"This is my most personal record," Callaway says. “Throughout my career, I've loved singing the great jazz classics and selections from the Great American Songbook, but I've always snuck my original songs on various projects. The pandemic made me think, 'I don't know if I'll live through this, but if I do, what's at the top of my bucket list?' And I realized that I wanted to tell my story and share the deepest part of me. What better way ...
read moreBrian Eisenberg Jazz Orchestra: Pain & Beauty
by Edward Blanco
A religious man at heart, composer/band leader and producer Brian Eisenberg leads an 18-piece big band (The Brian Eisenberg Jazz Orchestra) on a personal musical exploration on the meaning of love through the perspective of what may be beautiful, and what may seem hurtful on the very introspective and challenging Pain & Beauty. The album, as he writes, “is dedicated to that ideal of genuine love...painful yet, beautiful love." Eisenberg sets the musical bar quite high on such lofty and ...
read moreRichard Williams: Hollywood Christmas
by Richard J Salvucci
Ready or not, Christmas music is on the way. And this is Christmas music, old school. Do you remember The Andy Williams Christmas Album? Then, as the old joke goes, there may be fire in the hearth, but snow on the roof, because that was 1963, at least the first version. This recording, for sure, is a walk down memory lane and will produce a lot of nostalgia in listeners of a certain age. For some folks, that ...
read moreGrant Geissman: Blooz
by Richard J Salvucci
There are several ways of judging the success of a recording. Perhaps a hearing makes the listener, if a musician, want to sit in and jam. That is a good sign. Then there is the “sit still test." For many, the direct, emotional and physical connection between music and brain leaves them simply hanging out, absence of motion impossible, sitting still not an option. Grant Geissman's Blooz happily passes both tests. Turn the volume up and a blues party comes ...
read moreLauren White and the Quinn Johnson Trio: Ever Since The World Ended
by Richard J Salvucci
There is an interesting take of “Ever Since the World Ended" on You Tube. It is an evocative video, a kind of visual essay on Mose Allison's blues which could serve as an anthem to the pandemic and accompanying mess we are in. Lauren White (accompanied by Dolores Scozzesi) is appropriately downbeat, and well complemented by the Quinn Johnson Trio. One could enjoy a stiff drink while reflecting on the last year and listening. And, mostly, ...
read moreLauren White: Ever Since The World Ended
by C. Michael Bailey
There is a cadre of West Coast jazz musicians who tacitly orbit one Mark Winkler. This embarrassing wealth of talent includes: Cheryl Bentyne, Dolores Scozzesi, Judy Wexler, Robyn Spangler, Gary Brumburgh, Jeffery Gimble, Ada Bird Wolfe, and our present subject, Lauren White. White, an original East Coast product, expatriated to Westward to act and sing...and record. Her previous recording, Life In The Modern World (Cafe pacific Records, 2019) was the (unknowing) opening bookend to a most curious cultural year we ...
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