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Jazz Articles about Tim Lefebvre
Donny McCaslin: I Want More
by Nenad Georgievski
Donny McCaslin's album, I Want More, is a captivating and boundary-breaking release which highlights the saxophonist composer's innovative musical approach. Building on his previous collaborations and experiences, McCaslin ventures into uncharted territory by seamlessly fusing elements of electronica, post-rock, jazz, and improv. The result is a genre-defying sound which pushes the boundaries, and showcases McCaslin's prowess in creating a dynamic and studio-driven sonic experience. Drawing inspiration from contemporary electronic music, this album introduces new listeners to the captivating world of ...
read moreRachel Eckroth: The Garden
by Jerome Wilson
Pianist and composer Rachel Eckroth travels a twisty road on this CD, creating an ever-changing mix of jazz, prog rock, and fusion which utilizes off- center beats and swarming electronic effects. Eckroth's music is a little different on each track. Sometimes it builds up from layers of piano and synthesizers. At other times it works out of the basic piano trio format. Everything she creates, though, has an edgy, ominous atmosphere which lends itself as much to dark ...
read moreRachel Eckroth: The Garden
by Vic Albani
Approccio numero uno: Non so se ve ne siete accorti ma esistono dischi che al primo ascolto ti fanno dire “ok." Al secondo “eh però...." Al terzo “Cribbio... Wow! Ma cosa stavo ascoltando le altre due volte?." Al quarto, se volete giocare con i maledetti voti, siamo già vicini al “beh cinque stelle e forse oltre..." Poi, necessariamente devi riconsiderare tutto e passi ad un ascolto davvero analitico, ragionato e capisci che però, forse, è proprio così. ...
read moreRachel Eckroth: The Garden
by Mike Jurkovic
One of the Phoenix's brightest lights, pianist-composer-vocalist Rachel Eckroth, who has ably added depth to the music of such polar opposites as Chris Botti, Rufus Wainwright, and St. Vincent, leaves no stone unturned in The Garden, her darkly convincing, Rainy Day Records debut. It is immediately apparent that Eckroth hears things unlike the rest of us. Her music is a prowling evolution, full of darkness yet attainable, redeemable light. Without hesitancy, she shapes and seizes, assembles, dissects, and ...
read moreWollny - Parisien - Lefebvre - Lillinger: XXXX
by Phillip Woolever
This unique group effort by a progressive team of virtuoso improvisers doesn't always hit the mark of inspired mastery, but the project certainly expands such possibilities. The album is culled from a four-night stand at Berlin's well-known A-Trane club which produced around eight hours of recorded material. The intriguing, unpredictable package presented here clocks in at around 45 minutes. The opening track “Somewhere Around Barstow" pops with multiple-sourced seeds which literally set a stage for the chaotic chops ...
read moreMelbreeze: I Love Paris
by Jim Worsley
"I Love Paris" declares Melbreeze in song. It “fucking sizzles" she exclaims, adding just a tad of creative expression to the lyrics of Cole Porter. The delightful ambiance of France was the perfect vacation spot (if only in one's mind) to celebrate the unveiling of her tenth—yes, its been that many-- record. Melbreeze has long put the instrumental aspect upfront or on top. Her voice is often heard as another cog in her crafty musical structure. Ah, ...
read moreLyle Workman: Uncommon Measures
by Mike Jacobs
If there's a major takeaway to be had from listening to guitarist Lyle Workman's Uncommon Measures, it's the palpable sense that all of his impressive musical experience has been poured into it. And to that end, Workman certainly doesn't bury the lead. The epic opening track “North Star" can single-handedly make sense of Workman's entire decades-long resume. It's a CV that includes working in and with bands (Bourgeois Tagg, Jellyfish, Frank Black), being a “hired gun" guitarist (with such icons ...
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