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Daily articles carefully curated by the All About Jazz staff. Read our popular and future articles.

ALBUM REVIEW

Donald Edwards: Evolution of An Influenced Mind

Read "Evolution of An Influenced Mind" reviewed by Mark F. Turner

With Evolution of An Influenced Mind , drummer Donald Edwards makes a piercing statement about his percussiveness and musicality. Having gained attention for his craftsmanship on a number of noteworthy Criss Cross dates-- Introducing Opus 5 (2011) and Orrin Evans's excellent It was Beauty (2013)--Edwards's debut on the prolific Dutch jazz label is a cohesive work of forward thinking music. Dedicated to the memory of the great New Orleans clarinetist Alvin Batiste who mentored Edwards at Southern ...

ALBUM REVIEW

Donald Edwards: Evolution Of An Influenced Mind

Read "Evolution Of An Influenced Mind" reviewed by Andrew Luhn

In recent years, Donald Edwards has become a familiar name in the Criss Cross catalogue. His drumming can be heard on six previous Criss Cross releases, but on Evolution of an Influenced Mind, Edwards makes his debut as a leader. His sensitive and protean drumming has made him a first-call sideman in New York, but this program focuses on his prowess as a composer; Edwards contributes ten of the eleven tunes, with pianist Orrin Evans leading the eleventh.

ALBUM REVIEW

Donald Edwards: Evolution Of An Influenced Mind

Read "Evolution Of An Influenced Mind" reviewed by Dan Bilawsky

Donald Edwards is one of those drummers that seem to be taken for granted. He's constantly being called upon to support others, shaping moods and grooves on record for everybody from saxophonist Dayna Stephens to trombonist Conrad Herwig to vocalist Carolyn Leonhart, but he's largely avoided being in the spotlight. He's only released two other leader dates in his two-plus decades as a professional drummer, and both records went largely unnoticed. Now, after serving as a sideman on a half ...

ALBUM REVIEW

Donald Edwards: In the Vernacular

Read "In the Vernacular" reviewed by Jack Bowers

Perhaps I’ve become too — what’s the word I want — jaded? Spoiled? Whatever. The fact is that in spite of the complimentary liner notes by Ellis Marsalis, I couldn’t find much to get excited about while listening to drummer Donald Edwards’ debut, In the Vernacular — even with one of the contemporary scene’s shrewdest young trumpeters, Nicholas Payton, helping to stoke the fire. Everyone plays competently enough — although Wessell Anderson’s honking, screeching alto on “Duke of Duckland” is ...


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