Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

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ALBUM REVIEWS

Michael O'Neill & Kenny Washington: New Beginnings

Read "New Beginnings" reviewed by Dan Bilawsky

Multi-reedist Michael O'Neill gets top billing here, but there's little doubt that the star attraction is singer Kenny Washington, one of the most under-recognized vocal talents operating today. O'Neill, perhaps Washington's greatest supporter and promoter, doesn't hide that fact when discussing the music presented here: he notes that “the arrangements are unique settings, and Kenny's the jewel." Washington, a stunning talent who's appeared on record with O'Neill on more than one occasion, recorded and toured with vibraphonist ...

ALBUM REVIEWS

Michael O'Neill Quintet: The Long and the Short of It

Read "The Long and the Short of It" reviewed by Stephen Latessa

On The Long and the Short of It, the Bay Area-based Michael O'Neill Quintet has devised a unique role for featured singer Kenny Washington. Washington sings a number of standards in a fairly straightforward manner, but on the originals by O'Neill, he is essentially used as another horn, vocalizing the melody or harmony along with the horns of O'Neill and Steve Campos. After this initial statement, he takes his turn along with the other soloists. There is ample opportunity for ...