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ALBUM REVIEW

Brian Patneaude: All Around Us

Read "All Around Us" reviewed by David A. Orthmann

A lot of the good things about All Around Us start from the bottom and work their way up. Saxophonist Brian Patneaude's compositions are a sturdy, coherent lot; they're also rife with odd time signatures, changing tempos, and an amalgam of Latin, funk, and jazz elements. The tunes are a virtual playground for bassist Mike Delprete and drummer/percussionist Danny Whelchel, who, along with pianist David Caldwell-Mason, comprise the ideal rhythm section for Patneaude's designs. With one foot firmly lodged in ...

ALBUM REVIEW

Brian Patneaude: All Around Us

Read "All Around Us" reviewed by Jeff Dayton-Johnson

On All Around Us, Albany, New York saxophonist Brian Patneaude's solid quartet delivers a high energy, straight-ahead jazz date.As a saxophonist, Patneaude solos transparently and has a bright sound, set off by a hard-edged technical competence that will remind some of Michael Brecker, as on the complicated line of “Blucocele." On Bronisław Kaper's “Invitation," Patneaude is admirably unfazed by the celebrated 1958 John Coltrane reading of the tune on Standard Coltrane (Prestige, 1962). Patneaude the composer provides compelling ...

ALBUM REVIEW

Brian Patneaude: All Around Us

Read "All Around Us" reviewed by Andrew J. Sammut

An active part of the jazz scene in New York's Capital District, Brian Patneaude's fifth album shows off his originality and depth as a tenor saxophonist and composer. The six original compositions and two covers on All Around Us were “inspired by people, places and events" in Patneaude's life, adding a personal gravity to the assured musicianship on display.Listing Michael Brecker, David Sanborn and Hank Mobley among his influences, Patneaude plays with an attractively big, warm tone, more ...

ALBUM REVIEW

Brian Patneaude: All Around Us

Read "All Around Us" reviewed by Nicholas F. Mondello

With All Around Us saxophonist Brian Patneaude delivers a bravura performance as both artist and composer. This superior effort shouts breakthrough for this talented, but not widely known, New York Capital District saxophonist and his crew. The session offers eight brilliantly performed straight-ahead jazz compositions, of which six emanate from Patneaude's pen. Patneaude writes in a similar style to his playing; the heads feature melodic ebbs and flows in a palette of tempos, rhythmic strands and colors. ...

ALBUM REVIEW

Brian Patneaude: Riverview

Read "Riverview" reviewed by Nicholas F. Mondello

Tenor saxophone players have a dilemma that may be seemingly unique to that instrument: a dilemma of sound. While every artist will strive for their unique, personal voice, the tenor saxophonist has to be haunted by the “you-know-it's-them" sounds of greats such as Lester Young, John Coltrane, Sonny Rollins, Dexter Gordon, Stan Getz, and Michael Brecker. What's striking about Brian Patneaude is the utter honesty of his sound. It is thought-generating, full-bodied and inviting; engaging and penetrating on an emotional ...

ALBUM REVIEW

Brian Patneaude: Riverview

Read "Riverview" reviewed by John Dworkin

Saxophonist Brian Patneaude, guitarist Mike Moreno, organist Jesse Chandler, and drummer Danny Whelchel are all relatively young, open-minded musicians. While having distinct approaches, they share a modern sense of rhythm and phrasing, often blurring barlines, playing motivically, and possessing the ability to follow their ideas where they seem to go naturally. There's a fluidity of execution which gives the illusion of ease that only the best improvisers can create. These loosely related approaches give Patneaude's fine and understated Riverview a ...

ALBUM REVIEW

Brian Patneaude: Riverview

Read "Riverview" reviewed by Mark F. Turner

With Riverview, saxophonist Brian Patneaude continues to grow not only as a performer but also as an empathetic leader and composer. Like one of his influences, the esteemed Michael Brecker, Patneaude's voice is imbued with strength, melodicism and that certain New York state of mind. A few changes in personnel and instrumentation from previous Patneaude releases enhance the saxophonist's simpatico writing style. Organist Jesse Chandler, who possesses an ethereal whispery timbre, plays more in the vein of ...


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