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Jazz Articles about Tom Collier

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Album Review

Tom Collier: Impulsive Illuminations

Read "Impulsive Illuminations" reviewed by Dan McClenaghan


Vibraphonist Tom Collier offers up something quite different from his previous Origin Records CDs, where he covered the jazz standards like John Coltrane's “Giant Steps; Miles Davis' “So What," and some seemingly unlikely pop hits: The Rolling Stones “What a Shame" and Brian Wilson's “God Only Knows," alongside his own always engaging compositions. With Impulsive Illuminations, the thirty year University of Washington educator (now retired) explores the world of improvisation with pianist Richard Karpen, in the trio mode, with five ...

3
Album Review

Tom Collier: Across The Bridge

Read "Across The Bridge" reviewed by Dan Bilawsky


Ruminations on the past, musical or otherwise, are often weighed down by the sediment of sentiment. But it certainly doesn't have to be that way. Looking back can provide an outlet for the imagination to take control, and vibraphonist Tom Collier seems well aware of that. On Across The Bridge, Collier revisits his youth, delivering nine original numbers that touch on a childhood spent on the opposite side of the West Seattle Bridge from where he currently resides. It's a ...

3
Album Review

Tom Collier: Alone in the Studio

Read "Alone in the Studio" reviewed by C. Michael Bailey


Percussionist Tom Collier has the solo touch. His previous recording, Tom Collier: Plays Haydn, Mozart, Telemann and Others (Origin, 2012) had the vibraphonist and educator making his way through a Baroque and classical recitals to great effect. Presently, Collier strolls through some originals and standards and not-so-standard standards making up this most inventive and clever collection of songs. Alone in the Studio presents Collier in the most intimate of settings, as a solo artist. He has fun ...

26
Album Review

Tom Collier: Plays Haydn, Mozart, Telemann and Others

Read "Plays Haydn, Mozart, Telemann and Others" reviewed by C. Michael Bailey


Tom Collier is a bit of a character as, can be attested by the YouTube videos below. He has served as Director of Percussion Studies at the University of Washington since 1980. In 2011, he was appointed Chair of Jazz Studies at the school, and was awarded the Adelaide D. Currie Cole Endowed Professorship in the School of Music for the academic years 2011-2014. He is, indeed, having a good year. His last recording, Mallett Fantasique (Origin Classical, 2010), received ...

209
Album Review

Collier & Dean: Duets

Read "Duets" reviewed by Dan McClenaghan


Ringing right in the middle of Duets, the new release by mallet man (vibes and marimba player) Tom Collier and bassist Dan Dean, is the unlikely--for a jazz set--Jagger/Richards tune, “What A Shame." It's an instrumental here, of course, but on the Rolling Stones version, the lyric goes: What a shame, nothing seems to be going right...It's a nice take on the tune, but the sentiment doesn't ring true for Collier and ...

91
Album Review

Tom Collier: Mallet Jazz

Read "Mallet  Jazz" reviewed by Dan McClenaghan


Wander into the parking lot of a high school marching band field tournament, through a labyrinth school buses and picnic tables, into throngs of young musicians--teenagers in small packs cruising on foot, gossiping, flirting, maybe throwing a football around as a cold November dusk settles in--and there always seems to be a backdrop of percussion, impromptu practice sessions, the marimbas and the vibraphones ringing out. It's a sound that carries in the brisk fall air, a sound full of bounce ...


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